Kevin J. Hunt reviews Paul Jackson’s accessible new book about pattern-making
Paul Jackson, an origami artist and design teacher, has created a highly accessible guide to making repeat patterns that encourages playfulness, adaptation, experimentation and vital rule-breaking, writes Kevin J. Hunt.
Neurath and Kahn – the impresarios of early twentieth-century infographics. Review of Image Factories. Infographics 1920-1945
Image Factories. Infographics 1920-1945’s humble appearance belies its contents – a wealth of precious knowledge and visuals, and an elaborate inner design that uses three different papers and special colour prints, writes Sandra Rendgen.
Come to Type Tuesday at St Bride for an unforgettable evening of art, illustration, lettering and typography for maps. Plus free glass of fizz
The next Type Tuesday is ‘Max Gill and maps’ at St Bride Library, and we hope that many of you will be joining us for the final Eye event of the year.
St Bride Library is looking for someone to take charge of its extraordinary archive
The ad looks almost mundane at first glance, tucked away on a site called lisjobnet.com, which is for ‘Library & Information’ jobs. Yet what it is advertising is one of the most crucial roles in type and design history: the job of Librarian at St Bride Printing Library in London, writes John L. Walters.
Graphic design academics assemble in Sheffield to prepare for the next REF, the Research Excellence Framework. Report by Steve Rigley
The Research Excellence Framework (REF), which takes place every seven years, is the means by which UK funding councils assess the quality and impact of academic research in higher education, writes Steve Rigley.
Harry Woodgate’s science-driven illustration and design for A People’s Manifesto for Wildlife creates a human connection for its readers
In the long history of manifestos, many are as visually engaging as they are strong in their rhetoric. So when Chris Packham decided to publish A People’s Manifesto For Wildlife, he turned to illustrator and designer Harry Woodgate to help with his vision, writes Nigel Ball.
The third edition of Torino Graphic Days, a ‘visual design festival’, shows the playful side of visual communication
In just two years, Torino Graphic Days (TGD) has developed into an ambitious and wide-ranging international ‘visual design festival’, writes Andrew Robertson.