7 November 2014
31 October 2014
In recent years there has been a shift in the world of design towards the more handmade physical form, as a growing number of designers and illustrators turn their back on digital methods to take part in a new wave of tactile image-making and design, writes Lisa Hassell.
27 October 2014
Van Abbemuseum throws new light on Jan van Toorn’s critical design practice
Homage exhibitions are inherently celebratory, writes Francisco Laranjo. However ‘Staging the Message: The Open Work of Jan van Toorn’, now at the Van Abbemuseum in Eindhoven, the Netherlands until 18 Jan 2015, offers a critical challenge to that tradition.
14 October 2014
3 October 2014
Magazine geeks gather at the second annual Modern Magazine conference in London
The second Modern Magazine conference organised by magCulture’s Jeremy Leslie was an enthusiastic celebration of the power of editorial design. The focus was on the relationship between print and digital, and on the differences between independent publishing and the mainstream, writes Joseph Bisat Marshall.
1 October 2014
22 September 2014
A new exhibition shows how C. R. W. Nevinson brought an avant-garde eye to the grim truth of war
As Europe marks the centenary of the outbreak of the First World War, a new exhibition of C. R. W. Nevinson’s prints is a bleak reminder of those dark days, writes Clare Walters.
20 September 2014
Ditchling’s elegantly revamped museum places Eric Gill in the everyday context of extraordinary craftspeople
The small Sussex village of Ditchling, near the South Coast of England, was in 1907 already something of a haven for a growing arts and crafts community when Eric Gill moved there with his expanding family, writes Catherine Dixon.
18 September 2014
Two 21st-century letterpress projects breathe new life into this arcane, antiquated but much-loved method of mark-making
The LDF’s opening graphic weekend featured plenty of stimulating events and fascinating displays, with workshops, movies (Lost Highway), demonstrations, talks (Paula Scher, Irma Boom), David David’s Carousel Wall in the tunnel entrance, and Barber & Osgerby’s vertiginous Double Space – huge rotating mirrors – in the Raphael Gallery, writes John L Walters.