15 October 2008
Graphic design and typographygo to Hollywood
You have to hand it to Kyle Cooper. The celebrated movie titles designer quickly had the audience for last night’s D&AD President’s lecture at London’s Peacock Theatre transfixed, opening with a lengthy, well memorised passage from Shakespeare’s Henry V.
15 October 2008
Vintage prints from a Barcelona photography studio in Franco’s time
From 1956 to 1998, FotoRamblas was a photography studio on Barcelona’s main pedestrian boulevard, the forever hip and happening Las Ramblas, writes Liz Farrelly.
14 October 2008
A hard-working 1970s typeface comes back from the cold
From the type department. Another strong feature of the New York Magazine anniversary issue (see the recent Eye blog) is the powerful use of the Egyptian Bold Condensed display font. It’s a direct reference to the original Milton Glaser / Walter Bernard design
14 October 2008
A bumpy ride with Alan Aldridge:The Man with Kaleidoscope Eyes
The Design Museum is hosting an Alan Aldridge retrospective, writes Roger Sabin. ‘Just go along to the private view,’ chirps the editor, ‘and blog a few hundred words about your first impressions.’ Hmmm.
11 October 2008
New York Magazine celebrates 40 years plus with a handsome special
OK, maybe it’s not a classic cover. But the 40th anniversary issue of New York Magazine has all the other ingredients that non-New Yorkers expect from (and value in) the title:
10 October 2008
‘Teaching history as a set of facts is only half the story’
More questions and answers about design history. Read our Eye 68 Q&A with Giampietro+Smith on the Eye site.
8 October 2008
A glorious rerun of the 1968 Olympics identity . . . with one omission
I had no idea until a friend mentioned it, writes Daoud Sarhandi. ‘Congratulations,’ he said, ‘the quotes look great.’ Quotes? What quotes? ‘Mexico 1968. In the museum … the Museo de Arte Moderno.’ And so Carolina Rivas and I went, with our daughter, into Mexico City to take a look at ‘Designing Mexico 1968: An Olympic Identity’. Although I hadn't revisited the subject since ‘This is Mexico … this is 1968’ was published in Eye 56 – or rather since I was forced to reply in Eye 59 to a critical letter written by Eduardo Terrazas and Beatrice Trueblood – I felt right at home among the artefacts and epoch in the museum.
7 October 2008
There are no originals in ‘Andy Warhol: Other Voices, Other Rooms’
If Andy Warhol had lived to see the proliferation of cheap, flat screens that makes an exhibition like ‘Andy Warhol: Other Voices, Other Rooms’ possible . . . well he would have been a very happy 80-year-old.
6 October 2008
‘I don’t believe in the myth of design geniuses, working on their own’
Above: Signage for Wiels Contemporary Art Centre, Brussels, made using traditional road sign printing techniques. Design: Sara De Bondt, 2008. Read our Eye 68 Q&A
3 October 2008
‘It’s the end of graphic design as we know it.’ See Eye 69
Insular, egocentric, tongue-tied – and over. Yet if there is more visual communication than ever before, why do educationists insist on lamenting graphic design’s imminent demise? Rick Poynor responds to some perplexing findings at the ‘New Views 2’ conference held at the London College of Communication. Read Rick’s Monitor article ‘It’s the end of graphic design as we know it’ in the latest issue of Eye, no. 69 vol. 18.