The second act of all-American graphic Renaissance man Chip Kidd
Chip Kidd Book Two. Work: 2007-2017 (Rizzoli $60, £45, designed by Mark Melnick) is a big fat book introduced by glittering endorsements from his fabulous clients (Haruki Murakami, Neil Gaiman, Orhan Pamuk), writes John L. Walters.
What happens when you have just minutes to come up with a design? John Ridpath writes about the problem-solving benefits of ‘creative accidents’
‘Look at the photocopied type specimens on the table. Pick a letter “A” that you like. Draw a copy of it anywhere on your sheet of paper, using charcoal. It can be big or small, you can rotate it, you can draw it partially off the page. You have five minutes.’ Rod Judkins has just issued the first brief of ‘100 Design Projects’, a five-day course at Central Saint Martins, writes John Ridpath.
Archimedes wood type, Lubalin’s root beer label, Play! diary, Fedrigoni 365, L’Obs does Camus, Riposte #9 … and eels
Here are a few things that caught our attention in recent weeks.
Robert Hanks takes a final look at the cover designs for The Man Booker 2017 shortlist and the winner – George Saunders’ Lincoln in the Bardo
Book design can be an unlovely process – a set of negotiations to find something that satisfies the requirements of design, editorial and sales, with the last inevitably taking precedence. Along the way, art can get sidelined and the results can be garish or banal, writes Robert Hanks.
Typographic artist Sam Winston explores the visual inspiration that comes from total darkness
Sam Winston’s new exhibition ‘Darkness Visible’ at London’s Southbank Centre brings the viewer into his mind through fields of text. Completed during seven days of total darkness, the dedicated corner of the National Poetry Library exposes the thoughts and experiences of someone searching for visual inspiration without any vision at all, writes Lindsay Hargrave.