Eye Magazine

On Wednesday evening there’s an opportunity to see designer and typographer Alan Kitching (of The Typography Workshop) giving a talk at the Skyline Studios in Tribeca.

London-based design studio La Boca has attracted much attention as of late. The independent studio is celebrating its tenth anniversary with a dual-venue exhibition ‘Graphisme Utopique, Architecture Radicale’ in Nantes, France, writes Jane Morice.

Designers might know of Asmara, Eritrea’s capital in east Africa, as home to some impressive Modernist architecture, writes Steven McCarthy. Eritrea was a former colony of Italy, spent a mid-century decade under British administration, and was eventually ceded to Ethiopia, the latter being under the spheres of influence of the US, and later, the Soviets.

Rich in reproductions and spanning a wide range of musical genres, Classic Rock Posters is eye candy for anyone interested in music poster design, writes Holly Harris.

Earlier this month, a collaboration between the V&A and Visual Communication students from the Royal College of Art sought to prove that the poster has not been killed off by the introduction of digital media in communication and advertising. Their findings, displayed in two rooms of the Sackler Centre, argued that the poster remains a long-serving example of print doing what it does best – mass communication.

For more than two centuries the poster has occupied public space on hoardings, building sites, the sides of buses and commercial vehicles, plus every conceivable spot where these images might be caught within the public eye, write Naomi and Daniel Games.

Last week we spoke to graphic artist Clayton Junior about his fair trade rug, launching as part of the NODE collection at the Design Museum on 5 March 2013.

The submission deadline for the 2013 European Design Awards in Belgrade is fast approaching – it’s Thursday 28 February 2013.  

Graham Twemlow writes: A large part of the Hans Sachs poster collection is about to be sold off at auction (see ‘Back on the market’). Born in Breslau, Germany in 1881, Dr Sachs began collecting posters at the end of the nineteenth century while he was training to become a chemist (he later turned to dentistry).

A sale of 1250 prewar posters from Dr Hans Sachs’s legendary collection will take place in New York on 18, 19 and 20 January 2013, writes Graham Twemlow. The Guernsey’s auction catalogue states that: ‘… many of the posters in the collection are believed to be the sole surviving examples of those particular images’.