Epilogue Press’s Flatland re-interprets the 1884 classic for the age of popular science. Review by Kevin J. Hunt
Flatland is a cult novella by Edwin A. Abbott, first published in 1884, a classic situated somewhere between fringe populism and elite literature. It playfully (and earnestly) combines mathematics and morality in an inspired piece of conceptual storytelling, writes Kevin J. Hunt.
At Chelsea College, London – an evening about reportage illustration on Wed 22 February 2017.
This informal event features illustrators Lucinda Rogers and Olivier Kugler talking about their work, plus curators Isabelle Bricknall and Olivia Ahmad on the legacy of the late Jo Brocklehurst, followed by a panel discussion chaired by Prof. Neil Cummings of Chelsea College.
Edward Ardizzone’s humanity comes to the fore in a new monograph, and a retrospective at London’s House of Illustration. Review by Clare Walters
Edward Ardizzone (1900-79) was one of the foremost and most prolific artists of mid-twentieth century Britain, writes Clare Walters. His contemporaries included Edward Bawden, Pearl Binder, Eric Ravilious and John Piper – the latter two of whom were, like Ardizzone, official war artists during the Second World War.
At Firstsite in Essex, Gee Vaucher’s ‘Introspective’ covers a long career spent tackling political and social issues that are more urgent than ever.By Nigel Ball
When I was a teenage punk in the early 1980s it would have seemed inconceivable that Gee Vaucher’s artwork might ever grace the walls of a gallery, let alone the front page of a daily newspaper, writes Nigel Ball.
Offset’s first Sheffield conference bought together artists and designers for two days of engaging presentations and lively panel discussions
Last month, a host of speakers from across the design industry came to present their work for Offset Sheffield 2016. Here we publish the first of two reports … written by final-year students at Sheffield Institute of Art’s Graphic Design and Illustration course.