Illustration

14 February 2009

Who’s writing this script?

Who’s writing this script?

the post room

Valentine’s Day is a field day for Marian Bantjes
Design magazines don’t receive Valentine’s Day cards as a rule. Sure, we get plenty of Christmas cards. And even more New Year’s cards and fancy calendars, from all those design studios who didn’t quite hit their Christmas deadline. But 14 February always seemed too . . . arbitrary, too commercialised and/or too personal. Until Marian Bantjes came along.

26 January 2009

Broadsheet bounceback

Broadsheet bounceback

simon esterson

The Times redesigns its Saturday edition with some grand gestures
The Times appeared on Saturday morning (24 January 2009) in its new six-section configuration, writes Simon Esterson. The most obvious change is that the new Saturday Review section marks a return to broadsheet format. And after all those tabloids it does look big: a great sheet of newsprint, only really safely navigated at home on the Saturday breakfast table. (How do those Daily Telegraph readers manage on the train during the week?)

23 January 2009

Lovely inspiration

Lovely inspiration

jon forss

Jon Forss’s piece about children’s TV presenter Tony Hart from Eye 57
In the Autumn of 2005 we published an ‘Inspiration’ piece by Non-Format’s Jon Forss about Take Hart and Tony Hart, who died last Sunday aged 83. Here’s Jon’s original text from Eye no. 57 vol. 15: Neatly tucked somewhere among John Craven’s Newsround, Blue Peter, Wacky Races, Rhubarb & Custard and other 1970s late-afternoon BBC programming was a show that had me glued to the set like no other.

15 January 2009

Design blitz at the museum

Design blitz at the museum

véronique vienne

Antoine+Manuel cram their oeuvre into the Musée des Arts Décoratifs
One goes to openings to gawk at people as much as the art, writes Véronique Vienne. Last night the upbeat Antoine+Manuel show at the Musée des Arts Décoratifs in Paris was no exception. Everyone looked cool, no matter how haphazard their sense of colour. Weeks of freezing weather had sorely tested the fashion flair of most Parisians, but the exhibition’s over-the-top décor had a glamorising effect on the motley crowd wandering from room to room.

12 January 2009

Hey, good looking!

Hey, good looking!

norman hathaway

I braved designer scorn to champion the kings of Californian airbrush
‘Who wants to read a book about airbrush?’ Even one of my artist subjects was giving me shit about the decision to publish a book on 1970s airbrush art, writes Norman Hathaway. This project inspired so many grimaces and disgusted responses that I started to question it myself.

18 December 2008

Reasons to be cheerful, part 2

Reasons to be cheerful, part 2

A message from Barney Bubbles in the small print? Or just Ian?
Like Mark Porter, I received an exciting package through the post the other day,

16 December 2008

What’s that sound? Who’s that girl?

What’s that sound? Who’s that girl?

Eye’s latest cover features Goldfrapp and Replica
People have been asking what’s on the cover of the latest Eye

12 December 2008

Reasons to be cheerful, part 1

Reasons to be cheerful, part 1

Spreads from the original Eye no. 6 article about Barney Bubbles
Something for the weekend. Here, by popular demand, are all the spreads from the original sixteen-page feature about Barney Bubbles in Eye no. 6 vol. 2.

2 December 2008

Twelve Days of Christmas

Twelve Days of Christmas

ho ho ho

Don’t miss this Xmas card exhibition– for one night (Wed 3 Dec) only
A reminder that Studio8’s seasonal exhibition, featuring new, specially commissioned greeting cards on the theme of the twelve days of Christmas, takes place tonight at the Poke Gallery at 10 Redchurch Street, London E2 7DD.

28 November 2008

MAP/making’s acid test

MAP/making’s acid test

john l. walters

Music, art and performance in action at the Royal College
What is it about the last Thursday in November in London, asks John L. Walters? There were at least half a dozen events competing for our attention: Sanky doing a D&AD lecture; the launch of the AR’s Emerging Architecture at RIBA; Jost Hochuli at St Bride; the ‘Deface Value’ view at Mutate Britain; and so on . . . The one I opted for was a specially commissioned presentation of live audio-visual work at the Upper Gulbenkian Gallery at the Royal College of Art.
 
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