Dublin’s ninth annual Offset was more festival than conference, with informative and entertaining speakers from across the design world
Offset’s first day, Friday 8 April, included speakers Stephen Kelleher, Reed + Rader, Rothco, Robert Ballagh, 4 Creative, Morag Myerscough and Mr Bingo, write Pam Bowman and Matt Edgar, and covered cats, failure, the pressure of success, the importance of teams and partnerships, belonging and performance.
Surf back down the information superhighway to a time when the World Wide Web was thrillingly new – with Eye nos. 14, 16, 23 & 25
Most early editions of Eye magazine are out of print. However a handful from the mid-to-late 1990s are still available from the Eye shop at ESco in Essex, and this bundle is an especially good bargain for magazine addicts.
Franchise Animated – a collaborative project from Dutch foundry Animography – uses the skills of 110 motion designers. By Sarah Snaith
Kinetic typography is not new — it is used in advertising, for film and television title sequences, infographics, music videos and logos – but it is rarely sold as a complete product, as a pre-animated typeface for commercial use, writes Sarah Snaith.
The curators of ‘The World Goes Pop’ have scoured the globe for overlooked and under-appreciated artists from a moment when art collided with the mass media
It is hard to dislike ‘The World Goes Pop’ (Tate Modern), with its mad visual assault on the senses, starting with Ushio Shinohara’s Doll Festival (1966) and finishing with Komar and Melamid’s mordant take-down of Andy Warhol, Roy Lichtenstein and Robert Indiana, writes John L. Walters.