Automated graphic design and the rise of robot creatives – Francisco Laranjo files a critical report from the perspective of Christmas 2025
From our perspective here in 2025, it all seems inevitable, writes Francisco Laranjo. But maybe it wasn’t.
This poster exhibition is a powerful statement about women as global agents of social change. Marika Preziuso reviews ‘Women’s Rights are Human Rights’ in Boston
The exhibition ‘Women’s Rights are Human Rights’ aims to inform international public opinion on all the important intersections between women’s rights and human rights, writes Marika Preziuso.
At a correctional centre in Alaska, the drawings of long-term inmates turn prison walls into mirrors. An essay by Steven McCarthy
To a graffiti artist, a blank wall represents an opportunity for expression, writes Steven McCarthy. For a prisoner, it’s the opposite of opportunity – walls are among the many environmental and social structures that confine them physically and psychologically.
In Copenhagen this week: POST Design Festival – ‘a rallying cry for those who want design to serve society’
In October last year I met with illustrator Jody Barton over the coffee and pastries obligatory at any meeting here in Denmark, writes POST co-director Aideen McCole.
As a designer I feel guilty, says Marina Willer. Could we have done more to stop Brexit?
Twenty years ago, I chose to move from Brazil to London because it is the most diverse and cosmopolitan city in the world, writes Marina Willer.
Rick Poynor meets David King, a genuine designer-author driven by an overriding need to lock horns with meaningful subject matter
Stepping across the threshold of David King’s North London house is like plunging into a history lesson, wrote Rick Poynor in 1998. King has devoted 30 years to amassing what may be the world’s largest private collection of photographs, books and magazines documenting the history of Russia and the Soviet Union.
Posters aren’t dead, they’re just off the wall. David Crowley explains the thinking behind the forthcoming Warsaw International Poster Biennale
The Warsaw International Poster Biennale is 50 years old in June, writes David Crowley.
Nigel Ball on packaging graphics, ‘gutter share’ – and whether design blogs should be more sceptical about big brand news stories
As a design educator I need to keep on top of the latest developments, writes Nigel Ball, and a large aspect of this involves reading design blogs.
This new book assembles a visually engaging patchwork of contemporary art and design collectives. Review by Alice Butler
A blonde woman in a cream coat sits next to a man in a navy jacket. They are on the subway, gazing at their mirror images, but there is no mirror, writes Alice Butler.
An archive of historical, ‘aw shucks’ clip art shows a clipped version of history, says Steven McCarthy
One afternoon about fifteen years ago, my University of Minnesota office phone rang, writes Steven McCarthy. It was an attorney at law, claiming to represent The Gap, the clothing retailer.