Typography

30 October 2008

Q&A with William Hall

Q&A with William Hall

q&a

New technologies haven’t changed the creative process
Another dialogue about the function of graphic design history. Read our Eye 68 Q&A with William Hall on the Eye site.

20 October 2008

The Independent: too gaudy for words

The Independent: too gaudy for words

rick poynor

An exclusive, Web-only Critique by Rick Poynor for the Eye blog
I always liked the idea of The Independent and there have been a couple of periods, especially after it launched in 1986, when I defected to it from The Guardian. Even so, it has been a long time since I read it regularly, although the campaigning front pages produced since its 2005 redesign by Cases i Associats were eye-catching and occasionally led me to buy it. My main stumbling block is the tabloid page (and that goes for The Times, too). No matter how these two papers might rationalise the switch from broadsheet, the smaller size – also used by the Daily Mail – remains inherently down-market. The Guardian’s brilliantly managed move into new territory with the Berliner format underlined how dowdy, unimaginative and old-fashioned its rivals had become. 

19 October 2008

Q&A with Pedro Inoue

Q&A with Pedro Inoue

q&a

‘Design history is deeply linked with local culture’
Talking about graphic design history. Read our Eye 68 Q&A with Pedro Inoue on the Eye website.

15 October 2008

Kyle Cooper

Kyle Cooper

john l. walters

Graphic design and typography go to Hollywood
You have to hand it to Kyle Cooper. The celebrated movie titles designer quickly had the audience for last night’s D&AD President’s lecture at London’s Peacock Theatre transfixed, opening with a lengthy, well memorised passage from Shakespeare’s Henry V.

14 October 2008

On the slab

On the slab

the type department

A hard-working 1970s typeface comes back from the cold
From the type department.  Another strong feature of the New York Magazine anniversary issue (see the recent Eye blog) is the powerful use of the Egyptian Bold Condensed display font. It’s a direct reference to the original Milton Glaser / Walter Bernard design   of the magazine (see the 1973 cover, above, and feature spread, below).

24 September 2008

Revelations in style

Revelations in style

rick poynor

New Critique by Rick Poynor – now published in Eye 69
In the early days of Eye, we ran an article about the New Horizons series of illustrated introductions to the arts, culture and science published by Thames & Hudson.

12 September 2008

Beaker street

Beaker street

Who are the Shoreditch plastic cup letterers, and what do they want?
Last night it said ‘KAJAL’. The other night it said ‘DRUNK MAN’, and before that it was ‘SPUNK MAN’ (below).
 
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