Sunday’s New York Times included a section devised by the magazine team, an ‘ink-and-paper’ product not available in digital form
The New York Times published Sunday 7 August 2016 contained a monochrome newsprint section entirely devoted to a piece of fiction – Colson Whitehead’s ‘There was no other way’.
Pureprint Works #4, Francesco Griffo, Beatrice Warde Scholarship winner Ania Wieluńska, London bus destination boards and Ghostbusters!
Here are a few things that caught our attention in recent weeks.
Visual poetry crashes into the 21st century in all its brutal beauty. Jeremy Noel-Tod reviews The New Concrete (Hayward Publishing)
The original postwar ‘concrete poetry’ movement, with its aspiration to a utopian ‘supranational’ poetry of untranslatable symbolism, was characterised by an emphasis on type in white space: the flat material surface of ‘rigid, non-sensuous’ printed language, writes Jeremy Noel-Tod.
Giambattista Bodoni was a pioneer, a polymath and a perfectionist printer. Robert Hanks reviews a new book about the man behind the typeface
Anybody with an interest in typography will have come across the name Bodoni; but the reasons for his fame are more obscure, writes Robert Hanks.
‘It was always my idea to get across complex or difficult subjects to a wider audience. That’s what visual people like us can do.’
British designer, author and archivist David King died on 11 May 2016.
I Like Birds in Trittau; Mucho’s Tenderloin; Cercle on Costumes and P98a Paper’s Zombies of Berlin
Here is a small selection of graphic design for galleries and museums and magazines that caught our attention in recent weeks.
Restoring the Royal Windsor, Anette Lenz’s calendar for Lézard Graphique and Rejane Dal Ballo’s UPO
Here are a few items that caught our attention in recent weeks.
Angus Hyland, Tado, Russell Mills, Assemble, Piranha Bar, Jonathan Barnbrook and GMunk. Pam Bowman and Matt Edgar continue their coverage of the Dublin conference
The beginning of the Dublin conference’s second day, Saturday 9 April, was filled with adrenalin and expectation, write Pam Bowman and Matt Edgar.
A ‘replica reissue’ of The Writing on the Wall’, designed by Pearce Marchbank, delivers a gritty slab of mid-1970s graffiti
The Writing on the Wall (Plain Crisp Books) is a recent, Kickstarter-financed ‘replica reissue’ of a cult book from four decades ago, writes John L. Walters.
See you at St Bride Library at 7pm sharp. Nadine Chahine, David Pearson & James Mosley (among many others) at the first Type Tuesday of 2016
The next Type Tuesday event will be an Archive Night with MC Paul Barnes and guests, another evening in Eye’s quarterly series of informal events about typography, graphic design and visual culture. For this occasion, we celebrate St Bride Library itself, and its amazing collection of materials from the rich history of printing and typography.