Inspiring exhibitions at the Schomburg Center for Research in Black Culture illustrate the dynamic power of graphic design. By Robert Newman
If, like me, you’ve been both inspired and entertained by the cultural moment that the Black Panther movie has engendered, writes Robert Newman, you’ll want to see two equally inspiring and entertaining visual exhibitions at the Schomburg Center for Research in Black Culture in New York City: ‘Power in Print’ and ‘Black Power!’.
The Lost Words, an enchanting book and exhibition by Macfarlane and Morris, celebrates entries (including ‘ivy’ and ‘conker’) that were dropped from the Oxford Junior Dictionary
Every now and again there is a publishing phenomenon – a book that stirs the soul and captures the public imagination. The Lost Words: A Spell Book by Robert Macfarlane and Jackie Morris is one such phenomenon, writes Clare Walters.
‘Rhythm & Reaction’ gets under the skin of a British love affair with American jazz
Jazz first came to Britain as a visual and cultural style – rather than as a musical form, writes John L. Walters.
Teju Cole’s photobook Blind Spot deals with the loss and recovery of sight … in pictures and words. Review by Colin Davies
Teju Cole is a photographer, art historian and writer who contributes a regular column to the The New York Times, writes Colin Davies.
It is not until the very end of Calls Will Be Recorded For Training And Monitoring Purposes (Optimologyº, £19.95) that any explanation of the 172-page, small-format book is given, writes Hannah Ellis.
One of most charming and clever aspects of the Christopher Robin books (by A. A. Milne and illustrator E. H. Shepard) is that they can be read on a number of levels, making them equally enjoyable for both children and adults, writes Clare Walters.
Fili in Barcelona, the colours of Pawson, Bierut’s essays, dissent and the Resistance, and Alice Hawkins’ highly personal adventures
Here is yet another selection of books that caught our attention in recent weeks and months, reviewed by Lindsay Hargrave.
What happens when you have just minutes to come up with a design? John Ridpath writes about the problem-solving benefits of ‘creative accidents’
‘Look at the photocopied type specimens on the table. Pick a letter “A” that you like. Draw a copy of it anywhere on your sheet of paper, using charcoal. It can be big or small, you can rotate it, you can draw it partially off the page. You have five minutes.’ Rod Judkins has just issued the first brief of ‘100 Design Projects’, a five-day course at Central Saint Martins, writes John Ridpath.
Archimedes wood type, Lubalin’s root beer label, Play! diary, Fedrigoni 365, L’Obs does Camus, Riposte #9 … and eels
Here are a few things that caught our attention in recent weeks.
Typographic artist Sam Winston explores the visual inspiration that comes from total darkness
Sam Winston’s new exhibition ‘Darkness Visible’ at London’s Southbank Centre brings the viewer into his mind through fields of text. Completed during seven days of total darkness, the dedicated corner of the National Poetry Library exposes the thoughts and experiences of someone searching for visual inspiration without any vision at all, writes Lindsay Hargrave.