Pureprint Works #4, Francesco Griffo, Beatrice Warde Scholarship winner Ania Wieluńska, London bus destination boards and Ghostbusters!
Here are a few things that caught our attention in recent weeks.
A vernacular folk art has become synonymous with the visual identity of Buenos Aires. Gustavo Ferrari explains this extraordinary craft
Fileteado porteño is a traditional Argentinean artform, which began as simple decoration on the trade carts of bread, milk and vegetable sellers in the early twentieth century, writes Gustavo Ferrari.
Children’s picturebooks from Soviet Russia. Clare Walters reviews A New Childhood at the House of Illustration
Anyone interested in Russian graphic design and illustration of the early twentieth century, or in the history of children’s picturebooks, will find the current exhibition at the House of Illustration fascinating, writes Clare Walters.
Visual poetry crashes into the 21st century in all its brutal beauty. Jeremy Noel-Tod reviews The New Concrete (Hayward Publishing)
The original postwar ‘concrete poetry’ movement, with its aspiration to a utopian ‘supranational’ poetry of untranslatable symbolism, was characterised by an emphasis on type in white space: the flat material surface of ‘rigid, non-sensuous’ printed language, writes Jeremy Noel-Tod.
Wallace’s Road Wallah, Claridge’s East End, Graham’s The Whiteness of the Whale and Connew’s Body of Work
Here are a few photobooks that have recently caught our attention … each reviewed in no more than 140 characters.
See you at St Bride at 7pm sharp. Another evening in Eye magazine’s series of informal quarterly events about design and visual culture – with Morag Myerscough and Camille Walala
Eye’s next Type Tuesday will feature presentations by two designers who make bold use of colour – Morag Myerscough and Camille Walala.
The Graphic Design Idea Book, Can You Feel It?, Where’s Warhol?, Martin Parr: Autoportrait and Playful Graphics
Here are a few books that caught our attention in recent weeks … each reviewed in no more than 140 characters.
Rick Poynor meets David King, a genuine designer-author driven by an overriding need to lock horns with meaningful subject matter
Stepping across the threshold of David King’s North London house is like plunging into a history lesson, wrote Rick Poynor in 1998. King has devoted 30 years to amassing what may be the world’s largest private collection of photographs, books and magazines documenting the history of Russia and the Soviet Union.
‘It was always my idea to get across complex or difficult subjects to a wider audience. That’s what visual people like us can do.’
British designer, author and archivist David King died on 11 May 2016.
I Like Birds in Trittau; Mucho’s Tenderloin; Cercle on Costumes and P98a Paper’s Zombies of Berlin
Here is a small selection of graphic design for galleries and museums and magazines that caught our attention in recent weeks.