Feature

 
Ardizzone at peace and in conflict

Ardizzone at peace and in conflict

Alan Powers

Edward Ardizzone’s experiences as a war artist gave an extra depth and toughness to his work

 
Reputations: Fuel

Reputations: Fuel

Rick Poynor

‘We love collecting vernacular … it’s functional, not following a preconceived idea of what is correct.…

 
Olivier Kugler: bearing witness

Olivier Kugler: bearing witness

John L. Walters

This contemporary illustrator uses his ears and eyes – plus a camera, digital voice recorder…

 
The men who fell to earth

The men who fell to earth

Mike Dempsey

In three turbulent years, from 1968-71, the illustration and design supergroup Bentley / Farrell /…

 
The long look

The long look

Holly Catford

Creating playful, thoughtful images for The Guardian’s ‘long read’ section relies upon a close…

 
Ambition and illustration

Ambition and illustration

Alan Male

Alan Male welcomes a return to the ‘polymath principle’, the idea that an illustrator should engage with…

 
Time machine

Time machine

John L. Walters

Each summer since 1973, artist Tom Phillips has taken photos of the same twenty places in his South…

 
I am a poster

I am a poster

David Crowley

David Crowley, curator of ‘The Poster Remediated’ at the Warsaw International Poster Biennale, examines…

 
Reputations: Stuart Geddes

Reputations: Stuart Geddes

Elizabeth Glickfeld

‘I am interested in exploring different archetypes of books … I like to create friction between design…

 
A manual of hand-made Modernism

A manual of hand-made Modernism

Peter Bain

In 1949, a comprehensive portfolio by Swiss designer Walter Käch helped set the stage for postwar…

 
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