Feature

 
Reputations: Stuart Geddes

Reputations: Stuart Geddes

Elizabeth Glickfeld

‘I am interested in exploring different archetypes of books … I like to create friction between design…

 
A manual of hand-made Modernism

A manual of hand-made Modernism

Peter Bain

In 1949, a comprehensive portfolio by Swiss designer Walter Käch helped set the stage for postwar…

 
Take my concept

Take my concept

Rick Poynor

Boris Bućan’s early posters display an audacity that challenges divisions between graphic design and…

 
Tune out, dive deep, read on

Tune out, dive deep, read on

Meg Carter

Riposte magazine’s innovative format, diverse contents and clean design challenge the formulaic…

 
The thin controller

The thin controller

Tom Harrad

Progress bars have changed the way we engage with songs, films and stories

 
Wit, bad taste and loud type

Wit, bad taste and loud type

Sarah Snaith

The photos of legendary graphic designer Robert Brownjohn show an outsider’s view of 1960s London

 
The case of Romek Marber

The case of Romek Marber

John L. Walters

The Polish-born graphic designer behind Penguin’s ‘Marber grid’ helped to define British postwar graphic…

 
Colouring in the city

Colouring in the city

John L. Walters

Camille Walala’s exuberant, colourful designs for the Splice Post building bring warmth and vitality to…

 
Killing joke at the expense of history

Killing joke at the expense of history

John-Patrick Hartnett

Swissted’s typographic homages turn Modernist design history into hollow commodities for a new ‘blank…

 
Face in the crowd

Face in the crowd

Andrew Robertson

Amid the rush of modern gadgetry, Kuchar Swara’s Sekford watches stand out because they are…

 
‹ First  < 8 9 10 11 12 >  Last ›