Issue 25

Opinion

Editorial, Max Bruinsma

Screen, Jessica Helfand

Agenda, Jamie Hobson

By favouring drawing over communication in the selection of students, graphic design education is missing…

Features

Reputations: Milton Glaser
Steven Heller

‘I am nervous about ideologies, whether it’s the ideology of business or the ideology of Bolshevism. I…

Orsat Frankovic

The graphic design legacy of the young republic of Croatia can be traced through its turbulent past and…

Designers overcome their initial contempt for a low-resolution medium to bring clarity to the World Wide…

Will Novosedlik

In the ‘post-intellectual’ era, four Canadians use their talents in the service of creative discourse…

Max Bruinsma

With computers as the means for limitless manipulations of signs, designers now exalt subjectivity and…

Emily King

With a CD-ROM based on its legendary lettering archive, Central Saint Martins has created a new tool and…

Rick Poynor

Paul Elliman tells his students that “everything you know is wrong”, embracing error to find ideas…

Brett Wickens

Version 4 of Adobe Photoshop, the champion of photo processing software, comes with new tools for Web…

In 1962 Ralph Ginsburg and Herb Lubalin defied puritantical America with the four issues of their erotic…

Willem Sandberg: Warm printing
Mafalda Spencer

The Dutch pioneer’s catalogues for the Stedelijk show a tactile use of sensual materials and…