Opinion
To communicate more than mere messages for a client, designers must adopt an editorial point of view
Design, technology and psychology conspire to find new ways of teasing and fraying the passive viewer’s…
Features
The modern Maoist versions of traditional Chinese characters introduced ambiguity and confusion by…
Richard Saul Wurman, FAIA, is an architect, cartographer and the author and designer of more than 60…
Travelling graphic designers supply a personal vision, in words and pictures, of professional and…
A sprinkling of icons may make for a pretty interface, but many of them are opaque and meaningless
This little red book is a capitalist keepsake – a testament to the corporate culture of a chair company…
Factors of scale ensured a glittering take-off for two corporate identities. But what do they actually…
From the 1930s to the 1960s, The Architectural Review's eclectic methods made it a landmark in magazine…
Screens from a documentary about graphic design in four cities: New York, San Franscisco, London and…
The exhibits are the entire contents of a swathe of blocks on downtown New York. A proposal and manifesto…
Working in the crash-prone pre-history of multimedia, Post Tool has a brand of graphic design that is…
Before the home video revolution, Fotonovels provided a graphic way to re-live the experience of Hollywood…
‘We wanted to avoid the unspoken design taboo: Good design = subtle, tasteful, elegant, restrained. My…