Opinion
After 40 years of use and abuse, Alberto Korda's picture of Che retains its symbolic power and presence
Features
‘Papers have all kinds of information on the same page; very distressing and very joyful; gossip and…
The design of The New Yorker has nearly always taken the approach that "if it ain't broke, don't fix it"…
The sound and fury of \'radical\' typeface design associated with the early days of PostScript have…
Two catalogues reveal much about stencil-making in Germany and the US in the mid-twentieth century, while…
When technological developments at The Times demanded a change in the newspaper's typography, a brand new…
Designing a typeface for serious reading remains a time-consuming task. For the designer, choosing and…
LED and LCD display texts intensify our image of the modern city as an electrical field. New technologies…