
Opinion
The New Sins consigns graphic designers to the upper levels of hell. Critique by Rick Poynor
Features
Warhol in London: a pop fantasy made real on billboards
The author ‘emphatically opposed’ showing a girl on the cover. Most publishers ignored him
During the Korean War, graphic leaflets rained down from the sky, full of threats and promises.
The heart represents sacred and secular love: a bloodless sacrifice
‘It’s not a problem of being a woman in a man’s world. It’s being a type designer in a world that…