Opinion
Laura Oldfield Ford’s grainy Savage Messiah brings new urgency to an updated punk aesthetic. Critique by…
Features
‘There has been typography on the Web for its entire existence, because there are words, and where there…
Information designers are ideally placed to make the most of the new digital era.
From great apes and pop fans to real children’s spaces, James Mollison’s photographs invite the viewer…
Si Scott made his name with baroque combinations of type and image, but his 3D paper insects are taking…
Alex Bec and Will Hudson, of It’s Nice That, unveil their agency INT Works, grown directly from their…
Type-only book covers – whether deliberately austere, functional … or shouting loud from the shelves –…
From folklore theory, via shamanism and the ‘magpie instinct’ for shiny things, graphic design’s…
Every fortnight, art director Tony Rushton and editor Ian Hislop lay out Private Eye in a way that’s…
As Private Eye celebrates its best sales figures for 25 years, lifelong subscriber Andrew Billen…
America’s funky ‘altweeklies’ are a hotbed of zero-budget, attention-grabbing cover art direction.
This project showed MA students at Central Saint Martins how design can work in the ‘real world’