28 June 2016
Children’s picturebooks from Soviet Russia. Clare Walters reviews A New Childhood at the House of Illustration
Anyone interested in Russian graphic design and illustration of the early twentieth century, or in the history of children’s picturebooks, will find the current exhibition at the House of Illustration fascinating, writes Clare Walters.
7 February 2016
What do Luke Skywalker and Oliver Twist have in common? Clare Walters reviews Drawing on Childhood at the Foundling Museum
Given the perennial struggle against war, famine, disease and poverty, it is not surprising that many myths and fairy tales feature orphans, foundlings and fostered or abandoned children – think of Romulus and Remus, Cinderella, Rapunzel, and Hansel and Gretel, writes Clare Walters.
14 January 2016
Paul Rennie casts new light on RoSPA’s safety posters. Review of Safety First by Clare Walters
The Royal Society for the Prevention of Accidents (RoSPA) employed many of the best designers of the twentieth century to make its safety posters.
4 July 2015
Joseph Cornell was an avid collector who crafted a playful universe all his own. His fragile creations are on display at the Royal Academy, London
Collecting things in boxes has been a popular pastime for many people, from fossil hunters and natural history enthusiasts to A. A. Milne’s fictional Christopher Robin, who famously kept Alexander Beetle in a match-box, writes Clare Walters.
4 May 2015
Ladybird’s illustrative visions of mid-century Britain, on display at the De La Warr Pavilion and in a new book
A visit to the spacious light-filled De La Warr Pavilion – one of the most iconic Modernist buildings in Britain – is always a pleasure, even on a cold rainy wind-swept day, writes Clare Walters.
16 January 2015
The Story Museum in Oxford celebrates the power of fiction with an exhibition that combines spoken word with photography and installation design
The Story Museum, which opened in 2014, occupies an unrefurbished building in the heart of Oxford and ‘26 Characters’ is its inaugural exhibition, writes Clare Walters.
14 October 2014
If you have ever enjoyed making things from bits of string and wire, pipe cleaners and fabric, cotton reels and ping-pong balls, this book will surely appeal, writes Clare Walters.
22 September 2014
A new exhibition shows how C. R. W. Nevinson brought an avant-garde eye to the grim truth of war
As Europe marks the centenary of the outbreak of the First World War, a new exhibition of C. R. W. Nevinson’s prints is a bleak reminder of those dark days, writes Clare Walters.
12 August 2014
The Penguin Collectors Society turns its attention to the influential Puffin imprint for young readers … plus Porpoises, Ptarmigans and Peacocks
On 15 October 2010, the University of Bristol held a study day on Puffin, Penguin’s celebrated children’s imprint, writes Clare Walters.
21 May 2014
Information posters told British citizens what to do about nearly everything – from posting early to eating potatoes, writes Clare Walters
From protecting national secrets to guiding work choices, from cleaning our teeth to dish-washing, public information posters have advised the British public what to do for generations, writes Clare Walters.
16 October 2013
The work of Enid Marx links two new exhibitions about animals at Compton Verney in Warwickshire
For designers and illustrators with an interest in print-making there is much to see in two inter-related exhibitions at the beautiful (if rather remote) Compton Verney gallery in Warwickshire, writes Clare Walters.
25 July 2013
In Limbo, from Full Circle, is an experimental iPhone app that puts you at the centre of a real-time, 360° airport movie short
In Limbo is a short interactive film for the iPhone (4 and above), writes Clare Walters. To watch it, you use your phone like a camera, observing human behaviour in ‘Terminal 8’, a fictional airport departure lounge.
1 June 2013
Peter Sís crafts a picturebook from Farid Ud-Din Attar’s twelfth-century poem
‘Love loves difficult things’ claims the hoopoe bird at the centre of this poem. And this picturebook could certainly be described as ‘difficult’, for it is mysterious and enigmatic, intriguing and spiritual, writes Clare Walters.