9 October 2015
Franchise Animated – a collaborative project from Dutch foundry Animography – uses the skills of 110 motion designers. By Sarah Snaith
Kinetic typography is not new — it is used in advertising, for film and television title sequences, infographics, music videos and logos – but it is rarely sold as a complete product, as a pre-animated typeface for commercial use, writes Sarah Snaith.
8 June 2015
Photographer Henryk Ross risked his life to bear witness to the Holocaust. By Sarah Snaith
The Art Gallery of Ontario is showing a selection of salvaged photographs taken by Jewish photographer Henryk Ross in the Łódź Ghetto in Poland during the Second World War. ‘Memory Unearthed’ offers a rare glimpse into Jewish life during this horrific period in history, showing both everyday life and human suffering, writes Sarah Snaith.
5 February 2015
International street artists ‘map their spaces’ on the walls of London’s Somerset House
‘Mapping the City’, featuring 50 artists, occupies the New Wing of Somerset House, a space in transition that features bare concrete floors, fireplaces in disrepair and unfinished stonework doorways, writes Sarah Snaith.
7 December 2014
The cover of Unit Editions’ Type Plus highlights the book’s arguments, writes Sarah Snaith.
30 May 2014
Lettering Large is a graphic designer’s coffee table book, easily read in one sitting but worth revisiting regularly, writes Sarah Snaith.
30 April 2014
The Art Gallery of Ontario is showing works on paper, and other media, by American sculptor Bruce Nauman
The Art Gallery of Ontario’s glass and titanium ribcage (which spans 600 feet) breathes out in the heart of Toronto. Inside, ‘Bruce Nauman’s Words on Paper’, an exhibition of work from the 1970s and 80s, spreads across two quiet rooms on the gallery’s first floor, writes Sarah Snaith.
5 April 2014
‘Lettering: Objects, Examples, Practice’ is the first exhibition of its kind at Central Saint Martins’ Kings’s Cross premises
The ‘Lettering: Objects, Examples, Practice’ exhibition, at Central Saint Martins’ Lethaby Gallery, displays traces of lettering history and the traces former students and faculty have left on the college and its student body, writes Sarah Snaith.
20 December 2013
Eye’s panel checks out the taste of Helvetica, Impact and Comic Sans (as cooked up by Sarah Hyndman)
Designer Sarah Hyndman is known for her Type Tasting workshops – popular events at Pick Me Up and London Design Festival this year. For Hyndman’s latest project, A Taste of Type, she has reversed the approach by asking, ‘what does type taste like?’
19 December 2013
The Gentle Author delivers an album of London past and present in time for Christmas
The long hours of darkness that signify the encroaching winter can cast an unfavourable light on East London, writes Sarah Snaith.
6 December 2013
Lawrence Weiner’s typographic and gestural drawings fill the lower gallery of Amsterdam’s Stedelijk Museum
‘Written on the Wind’ (Op de Wind Geschreven) is an exhibition at Amsterdam’s Stedelijk Museum of more than 300 works on paper by the conceptual artist Lawrence Weiner, alongside short films, notebooks and gestural markings in the work and on the walls, writes Sarah Snaith.
22 November 2013
Unit Editions’ book Type Only documents graphic design – from the late 1990s to the present – that primarily uses typography to illustrate and communicate ideas, writes Sarah Snaith.
2 September 2013
‘Touch and Tweet!’ at Amsterdam’s Stedelijk encourages visitors to interact and leave their inhibitions behind
The Stedelijk Museum’s ‘Touch and tweet!’ exhibition in Amsterdam, featuring works by Daan Roosegaarde and Hellicar & Lewis, encourages visitors to interact with the installations, writes Sarah Snaith.
14 August 2013
New Movement Collective inhabits a disused space with dance, architecture, light and sound
The prospect of combining contemporary dance with architecture, light installation and sound is an enticing one – it recognises the natural relationship between body, sound, image and space, writes Sarah Snaith.
3 June 2013
A report from day two of the inaugural Point conference in London
Conference themes are often loosely interpreted by speakers and the themes themselves leave space for interpretation, writes Sarah Snaith in the second of two reports from the conference (see John O’Reilly’s ‘Talking about the A-word’ on the Eye blog).
15 May 2013
Thomas E. Rinaldi’s New York Neon documents a cityscape sprawling with the remnants of illuminated signage. Rinaldi shies away from ‘spectaculars’ in familiar places such as Times Square in favour of the ‘open-air museum’ of on-premise storefronts across Manhattan, the Bronx, Brooklyn, Queens and Staten Island, writes Sarah Snaith.
20 April 2013
Pick Me Up festival: one part exhibition, one part fun fair
Pick Me Up, the annual graphic arts festival at Somerset House, showcases a mixture of international illustrators, graphic novelists, cartoonists and graphic designers, writes Sarah Snaith.
28 March 2013
The Loop is a newsprint magazine that brings the news to life for children aged eight to thirteen
Children’s magazine The Loop has a deceptive strapline: ‘The magazine that thinks it’s a newspaper’, writes Sarah Snaith.
4 March 2013
The Design Museum highlights a fair trade collaboration between Western illustrators, designers and craftspeople from Nepal
On 5 March 2013, the Design Museum shop will launch a collection of illustrated rugs produced by Node, a non-profit social business working with Nepalese carpet weavers, writes Sarah Snaith. Founded by children’s book author / illustrator Chris Haughton and Kathmandu-based entrepreneur Akshay Sthapit, Node (from the Latin for knot) aims to connect fair trade with design.
7 February 2013
Jean Jullien’s ‘Allo?’ opens tonight at Kemistry Gallery with a sideways look at the here and now
French graphic designer Jean Jullien opens his first solo exhibition at Kemistry Gallery in Shoreditch tonight (7 February 2013), writes Sarah Snaith.
19 January 2013
The Edinburgh exhibition ‘From Death to Death’ looks at mortality, the body, dolls, guilt and other shadows of the mind.
The exhibition ‘From Death to Death and Other Small Tales’ hangs contemporary and historically significant works side by side to force ‘confrontations between past and present’ (in the words of the exhibition’s curators) in a variety of media, writes Sarah Snaith.
5 December 2012
A new book by Marion Deuchars inspires children to get stuck in and make marks that are truly digital
Marion Deuchars’ Let’s make some great fingerprint art is the latest in her series of books that inspire children to explore artistic practice. The book has the appeal of a half-finished sketchbook, begging for inky fingers and paint-covered hands to fill its pages, writes Sarah Snaith.
19 November 2012
Tate Modern’s two-part retrospective juxtaposes two artist-photographers: William Klein and Daido Moriyama.
The Tate Modern’s exhibition ‘William Klein + Daido Moriyama’ is introduced with projections of primary coloured New York city street signs, writes Sarah Snaith.
24 October 2012
De Bondt, Boom, Burrill, Butterick, Garland, Kubel, Scher and many more make Typo London 2012 a highly ‘Social’ affair. No question about it.
Typo London commenced with graphic designer Sara De Bondt’s fittingly understated introduction, writes Sarah Snaith.
5 October 2012
Typography, generosity, jelly and body architecture (with a side order of unexplained nudity) at It’s Nice That’s ‘creative symposium’
In mid-September, It’s Nice That (see Eye 82) held their first creative symposium at The Royal Geographic Society in South Kensington, writes Sarah Snaith.
24 September 2012
In ‘Hide and Seek’ at London’s Kemistry Gallery, illustrator Malika Favre delights in playing with our optical expectations.
Illustrator Malika Favre’s first solo exhibition ‘Hide and Seek’ at London's Kemistry Gallery hinges on a series of optical effects, writes Sarah Snaith. Sultry female figures peek out from behind gloved hands, Venetian blinds and over balconies, delighting the viewer who can undo their visual trickery.
4 September 2012
Current food trends meet photography and art direction in Ico’s giveaway foodie mag
Last month, London agency Ico Design published the first edition of Taste, a newsprint publication that expressed the consultancy’s growing interest in the future of food, writes Sarah Snaith.
22 August 2012
A new food and culture journal, The Gourmand, gives design-conscious readers something to get their teeth into …
The Gourmand, a new food and culture journal, hinges on the way food brings people – especially creative people – together, shaping their conversations, writes Sarah Snaith. The launch party, at Vauxhall’s Brunswick House Café, did much the same.
13 August 2012
‘Inside / outside’ – a symposium about the future of exhibition spaces at the new Tate Tanks – questioned the future of art institutions
The Tate Modern’s symposium ‘Inside / Outside: Materialising the Social’ marked the first weekend of ‘The Tanks: Art in Action’ exhibition, a series of immersive installations and performance art pieces on display until 28 October 2012, writes Sarah Snaith.
16 July 2012
Do graphic designers have an appetite for the challenges of food design?
The ‘International Conference on Designing Food and Designing for Food’ was a two-day event, held at London Metropolitan University last month, writes Sarah Snaith.
9 July 2012
Abbott Miller’s iPad app gives a new framework to contemporary dance
Fifth Wall, an iPad app designed by Abbott Miller for 2wice Arts Foundation, presents an enticing new platform for the performing arts, writes Sarah Snaith.
27 June 2012
There’s a pattern to Rob Lowe’s ‘Details’ exhibition at Kemistry Gallery
Rob Lowe has covered the walls of London’s tiny Kemistry Gallery with an array of untitled artwork, writes Sarah Snaith.
