15 May 2013
Thomas E. Rinaldi’s New York Neon documents a cityscape sprawling with the remnants of illuminated signage. Rinaldi shies away from ‘spectaculars’ in familiar places such as Times Square in favour of the ‘open-air museum’ of on-premise storefronts across Manhattan, the Bronx, Brooklyn, Queens and Staten Island, writes Sarah Snaith.
20 April 2013
Pick Me Up festival: one part exhibition, one part fun fair
Pick Me Up, the annual graphic arts festival at Somerset House, showcases a mixture of international illustrators, graphic novelists, cartoonists and graphic designers, writes Sarah Snaith.
28 March 2013
The Loop is a newsprint magazine that brings the news to life for children aged eight to thirteen
Children’s magazine The Loop has a deceptive strapline: ‘The magazine that thinks it’s a newspaper’, writes Sarah Snaith.
4 March 2013
The Design Museum highlights a fair trade collaboration between Western illustrators, designers and craftspeople from Nepal
On 5 March 2013, the Design Museum shop will launch a collection of illustrated rugs produced by Node, a non-profit social business working with Nepalese carpet weavers, writes Sarah Snaith. Founded by children’s book author / illustrator Chris Haughton and Kathmandu-based entrepreneur Akshay Sthapit, Node (from the Latin for knot) aims to connect fair trade with design.
7 February 2013
Jean Jullien’s ‘Allo?’ opens tonight at Kemistry Gallery with a sideways look at the here and now
French graphic designer Jean Jullien opens his first solo exhibition at Kemistry Gallery in Shoreditch tonight (7 February 2013), writes Sarah Snaith.
19 January 2013
The Edinburgh exhibition ‘From Death to Death’ looks at mortality, the body, dolls, guilt and other shadows of the mind.
The exhibition ‘From Death to Death and Other Small Tales’ hangs contemporary and historically significant works side by side to force ‘confrontations between past and present’ (in the words of the exhibition’s curators) in a variety of media, writes Sarah Snaith.
5 December 2012
A new book by Marion Deuchars inspires children to get stuck in and make marks that are truly digital
Marion Deuchars’ Let’s make some great fingerprint art is the latest in her series of books that inspire children to explore artistic practice. The book has the appeal of a half-finished sketchbook, begging for inky fingers and paint-covered hands to fill its pages, writes Sarah Snaith.
19 November 2012
Tate Modern’s two-part retrospective juxtaposes two artist-photographers: William Klein and Daido Moriyama.
The Tate Modern’s exhibition ‘William Klein + Daido Moriyama’ is introduced with projections of primary coloured New York city street signs, writes Sarah Snaith.
24 October 2012
De Bondt, Boom, Burrill, Butterick, Garland, Kubel, Scher and many more make Typo London 2012 a highly ‘Social’ affair. No question about it.
Typo London commenced with graphic designer Sara De Bondt’s fittingly understated introduction, writes Sarah Snaith.
5 October 2012
Typography, generosity, jelly and body architecture (with a side order of unexplained nudity) at It’s Nice That’s ‘creative symposium’
In mid-September, It’s Nice That (see Eye 82) held their first creative symposium at The Royal Geographic Society in South Kensington, writes Sarah Snaith.
24 September 2012
In ‘Hide and Seek’ at London’s Kemistry Gallery, illustrator Malika Favre delights in playing with our optical expectations.
Illustrator Malika Favre’s first solo exhibition ‘Hide and Seek’ at London's Kemistry Gallery hinges on a series of optical effects, writes Sarah Snaith. Sultry female figures peek out from behind gloved hands, Venetian blinds and over balconies, delighting the viewer who can undo their visual trickery.
4 September 2012
Current food trends meet photography and art direction in Ico’s giveaway foodie mag
Last month, London agency Ico Design published the first edition of Taste, a newsprint publication that expressed the consultancy’s growing interest in the future of food, writes Sarah Snaith.
22 August 2012
A new food and culture journal, The Gourmand, gives design-conscious readers something to get their teeth into …
The Gourmand, a new food and culture journal, hinges on the way food brings people – especially creative people – together, shaping their conversations, writes Sarah Snaith. The launch party, at Vauxhall’s Brunswick House Café, did much the same.
13 August 2012
‘Inside / outside’ – a symposium about the future of exhibition spaces at the new Tate Tanks – questioned the future of art institutions
The Tate Modern’s symposium ‘Inside / Outside: Materialising the Social’ marked the first weekend of ‘The Tanks: Art in Action’ exhibition, a series of immersive installations and performance art pieces on display until 28 October 2012, writes Sarah Snaith.
16 July 2012
Do graphic designers have an appetite for the challenges of food design?
The ‘International Conference on Designing Food and Designing for Food’ was a two-day event, held at London Metropolitan University last month, writes Sarah Snaith.
9 July 2012
Abbott Miller’s iPad app gives a new framework to contemporary dance
Fifth Wall, an iPad app designed by Abbott Miller for 2wice Arts Foundation, presents an enticing new platform for the performing arts, writes Sarah Snaith.
27 June 2012
There’s a pattern to Rob Lowe’s ‘Details’ exhibition at Kemistry Gallery
Rob Lowe has covered the walls of London’s tiny Kemistry Gallery with an array of untitled artwork, writes Sarah Snaith.
