Eye Magazine

anonymous designer(s)

Recent articles about anonymous designer(s)

Party peopleIssue 96, Spring 2018
Review

	‘Made In North Korea’ (House of Illustration, London, 26 March–13 May 2018)…
      
Duck the issueIssue 96, Spring 2018
Review

	Surveying a decade of electoral shocks, coups d’état, demonstrations and…
      
We Made This: Technical challengeIssue 95, Winter 2018
Feature

	Sarah Snaith talks to Briar Levit, director of a new film on the history of graphic design
Design culture with constraintsIssue 92, Summer 2016
Review

	Until recently, everyday commercial graphic design from East Germany was…
      
Making sense of a complex idealIssue 92, Summer 2016
Review

	Simplification is an ideal we think we aspire to, whether we are talking…
      
I am a posterIssue 92, Summer 2016
Feature

	David Crowley, curator of ‘The Poster Remediated’ at the Warsaw International Poster Biennale…
James Mosley: A life in objectsIssue 90, Summer 2015
Feature

	Through his ideas, collecting and dogged research, the former St Bride librarian has shown that…
Words and pictures talkingOpinion
Canongate has reissued John Berger and Jean Mohr’s A Fortunate Man, about Gloucestershire doctor…
Nostalgia for the Carnation RevolutionIssue 89, Winter 2014
Review

	The exhibition ‘Freedom of Image’, which was spread throughout Porto between…
      
The retoucher’s accidental artIssue 88, Summer 2014
Feature

	The reworked press photos now being discarded are unique objects and compellingly strange images.…
Comic cutsIssue 87, Spring 2014
Feature

	Andreu Balius collects Spanish meat papers, which are typically covered in graphic images of…
A Monotype timelineIssue 84, Autumn 2012
Feature

	A selected, chronological list of notable events in the long, complex history of Monotype
Stanley Morison: Changing the TimesIssue 84, Autumn 2012
Feature

	In 1929 Monotype’s typographical adviser, Stanley Morison, published an article critical of the…
Deep in the Monotype archiveIssue 84, Autumn 2012
Feature
A wide selection of Monotype’s drawings, artworks, publications and vintage photographs spread…
Pages from the library of librariesIssue 84, Autumn 2012
Review

	Graphic design, devoted as it is to re-framing text and image, thrives as an…
      
Club-runner graphicsIssue 5, Winter 1991
Review

	In the mid to late 1980s we would be out every night at some club or other…
      
Dan Dare, Bunty and all their palsIssue 83, Summer 2012
Review

	James Chapman states his intentions openly: to trace the development of…
      
Crash coversIssue 52, Summer 2004
Feature

	J. G. Ballard’s novel resists attempts to summarise it with a single image
The meaning of moneyIssue 5, Winter 1991
Feature

	Bank notes change hands without so much as a second glace – a daily act of faith that says much…
Temple of typeIssue 2, Winter 1990
Feature
St Bride Library is one of the world’s best sources of information about type design and…
We hardly knew youIssue 42, Winter 2001
Feature
Street-corner merchandising tries to remember the twin towers
Punk uncovered: an unofficial history of provincial oppositionIssue 33, Autumn 1999
Feature

	British punk gave a sound, a voice and a visual currency to the disenfranchised and remote.…
Self-aggrandising, self-satisfiedIssue 38, Winter 2000
Feature

	Brochures: Frost, Push, Elliott Peter Earls, the Office of CC …
Lost worldsIssue 55, Spring 2005
Feature
Vernacular photography. Innocence regained? Or just another kind of fiction?
Your system sucks!Issue 8, Autumn 1993
Feature

	The flight from Modernism left a yearning for graphics that were rough, real, unaffected and…

Recent blog posts by anonymous designer(s)

Drawing up Modern man

5 December 2018

Neurath and Kahn – the impresarios of early twentieth-century infographics. Review of Image Factories. Infographics 1920-1945

Image Factories. Infographics 1920-1945’s humble appearance belies its contents – a wealth of precious knowledge and visuals, and an elaborate inner design that uses three different papers and special colour prints, writes Sandra Rendgen.

Invisible women in Australian graphic design

4 July 2018

The ‘afFEMation’ project throws new light on influential women in Australian design history. Jane Connory explains her multifaceted project

The afFEMation project stems from my belief that designers included in the history of Australian graphic design should be measured by their local influence rather than by their connections abroad, writes Jane Connory.

Great display in Harlem

21 March 2018

Inspiring exhibitions at the Schomburg Center for Research in Black Culture illustrate the dynamic power of graphic design. By Robert Newman

If, like me, you’ve been both inspired and entertained by the cultural moment that the Black Panther movie has engendered, writes Robert Newman, you’ll want to see two equally inspiring and entertaining visual exhibitions at the Schomburg Center for Research in Black Culture in New York City: ‘Power in Print’ and ‘Black Power!’.

Books received #30

6 November 2017

This Is Me, Full Stop., Jonny Hannah, Hi-Fi Living, Sardon’s Stampography and drawings of UFOs

Here is yet another selection of books that caught our attention in recent weeks and months, reviewed by Lindsay Hargrave.

Characters in search of an emoji

6 May 2017

Can emojis help people with serious difficulties in communication and self-expression? Katie Baggs is on a mission to find the ‘emoji gaps’

For Eye’s quarterly Type Tuesday on 7 March 2017, themed ‘Fists, fleurons & emojis’, I joined designers Alan Kitching, Gavin Lucas and Rian Hughes plus Emojipedia’s Jeremy Burge to chair a panel discussion on non-alphanumeric characters, writes Katie Baggs.

Ghosts of designbots yet to come

21 December 2016

Automated graphic design and the rise of robot creatives – Francisco Laranjo files a critical report from the perspective of Christmas 2025

From our perspective here in 2025, it all seems inevitable, writes Francisco Laranjo. But maybe it wasn’t.

Fileteado Porteño – past and present

7 July 2016

A vernacular folk art has become synonymous with the visual identity of Buenos Aires. Gustavo Ferrari explains this extraordinary craft

Fileteado porteño is a traditional Argentinean artform, which began as simple decoration on the trade carts of bread, milk and vegetable sellers in the early twentieth century, writes Gustavo Ferrari.

What design didn’t do

30 June 2016

As a designer I feel guilty, says Marina Willer. Could we have done more to stop Brexit?

Twenty years ago, I chose to move from Brazil to London because it is the most diverse and cosmopolitan city in the world, writes Marina Willer.

Forging a new society

28 June 2016

Children’s picturebooks from Soviet Russia. Clare Walters reviews A New Childhood at the House of Illustration

Anyone interested in Russian graphic design and illustration of the early twentieth century, or in the history of children’s picturebooks, will find the current exhibition at the House of Illustration fascinating, writes Clare Walters.

More design for eating

7 January 2016

Menu Design in America looks back at more than a century of visual and culinary history

There is something very satisfying about a menu. Whether it be the cutout of a pig just before delving into a pulled pork sandwich or a space age diner preparing you for some interstellar fry-up.

City of signs

15 July 2015

Artist Alida Sayer witnesses a collision of ancient and hyper-modern in Andong, South Korea

The city of Andong, though widely considered the bastion of ‘traditional’ Korea, possesses a distinctively perpendicular aesthetic, writes Alida Sayer.

Retrogressive

2 June 2015

An archive of historical, ‘aw shucks’ clip art shows a clipped version of history, says Steven McCarthy

One afternoon about fifteen years ago, my University of Minnesota office phone rang, writes Steven McCarthy. It was an attorney at law, claiming to represent The Gap, the clothing retailer.

Accidental art sale

10 April 2015

Haunting, retouched press photos from the collection of Raynal Pellicer are on display in a Paris gallery until late June

Raynal Pellicer’s collection of retouched press photos is on display at Galerie Argentic in Paris, writes Sean Eckhardt.

Codex lives on as a book

12 March 2015

The Eternal Letter, edited by Paul Shaw, was launched at the Type Directors Club in New York

Last month MIT Press launched the book The Eternal Letter: Two Millennia of the Classical Roman Capital at the Type Directors Club in New York City, writes Doug Clouse.

Beer signs in the grain belt

13 January 2015

Water, grain and time converge at the source of the Mississippi in Minnesota. Steven McCarthy tastes the typefaces and signs that brand his local beers

Minnesota has abundant quantities of beer’s two main ingredients: water and grain, writes Steven McCarthy.

Books received #11

7 November 2014

Paul Graham, Rian Hughes, Modern Toss, The Art of Noir and Nude’s take on underground graphics

Here are a few books that have caught our attention in recent weeks.

The trade that lost its way

14 May 2014

UK book printing is in trouble, says Francis Atterbury. The trade makes truly awful books, while the Private Press lacks content.

There’s a wave of technological revolution hitting the printing industry as new technology and new printing methods promise a revolution in the trade, writes Francis Atterbury.

Graphic protests inspire laughter and hope

28 March 2014

In the run-up to the Turkish elections, designers satirise the actions of prime minister Recep Tayyip Erdoğan. Report by Gülizar Çepoğlu.

A deluge of satirical poster designs and artworks have become a powerful form of protest for Turkish people, writes Gülizar Çepoğlu.

Typographic freak-out

25 March 2014

Content Aware typography makes Adobe’s software ‘fail’ in the most interesting way

Content Aware Fill first appeared in Adobe Photoshop CS5, released in 2010, writes Tom Harrad.

Even further beyond Beck

16 September 2013

Extended review: Rob Waller takes a closer look at Underground Maps Unravelled by psychologist Maxwell Roberts

Harry Beck’s underground map has to be the most celebrated and discussed instance of information design, writes Rob Waller.

Two sides of propaganda

28 June 2013

A new exhibition recounts the history of political persuasion, from coins to tweets.

The British Library’s exhibition, ‘Propaganda: Power and Persuasion’, shows a 1982 political cartoon that was drawn shortly after martial law was imposed in Poland. The drawing is of General Jaruzelski, a Polish political leader, attempting to bridge the gap between two sides of a widening chasm. The left side represents propaganda; the right represents reality, writes Katy Canada.

Sinhala’s voluptuous letters

26 June 2013

A collaboration – between Columbo, in Sri Lanka, and Falmouth, in the UK – explores the typographic possibilities of the Sinhalese abugida

The orthography of the Sinhalese, one of the peoples of the beautiful island of Sri Lanka‚ is one of three writing systems that populate the visible culture of the south Asian island nation, writes Timothy Donaldson.

Museum of lights

15 May 2013

Thomas E. Rinaldi’s New York Neon documents a cityscape sprawling with the remnants of illuminated signage. Rinaldi shies away from ‘spectaculars’ in familiar places such as Times Square in favour of the ‘open-air museum’ of on-premise storefronts across Manhattan, the Bronx, Brooklyn, Queens and Staten Island, writes Sarah Snaith.

Banham’s Melbourne letters

26 March 2013

The first thing you think on flipping through Characters is: Wow, I wouldn’t mind living in Melbourne, writes Robert Hanks.

A dentist’s unerring eye

17 January 2013

Dr Hans Sachs was the poster aficionado who launched Das Plakat. By Graham Twemlow

Graham Twemlow writes: A large part of the Hans Sachs poster collection is about to be sold off at auction (see ‘Back on the market’). Born in Breslau, Germany in 1881, Dr Sachs began collecting posters at the end of the nineteenth century while he was training to become a chemist (he later turned to dentistry).

Ladies’ unmentionables

15 January 2013

Shelley Gruendler is fascinated by the graphic language of feminine hygiene disposal bags

Twenty years ago, while in my second year at design school, I pilfered my first ‘feminine hygiene sanitary disposal’ bag from a doctor’s office in Raleigh, North Carolina, writes Shelley Gruendler.

Hand-made in Cambodia

21 November 2012

Painted signs enliven the streetscapes of Kratie, a sleepy provincial capital in North East Cambodia.

Cambodia is a country awash with hand-painted signs, writes Sam Roberts. They form an integral part of the streetscape but most visitors barely even notice them.

What are they thinking?

5 November 2012

These unique, plebeian graphic executions – ephemeral, often questionable lawn signs – embody the US Constitution’s First Amendment guarantee of free speech, says Mike Kippenhan.

In the United States, automobile bumper stickers and lawn signs are the preferred way of informing others non-verbally of one’s political affiliation, writes Mike Kippenhan.

Smoke bomb

20 August 2012

Australia’s decision to ‘unbrand’ tobacco packaging demands more debate, says Alex Cameron

Last week I woke to the news that cigarette packaging is to be ‘un-designed’ as a result of a landmark ruling by the highest court in Australia, writes Alex Cameron. As a result, from December, all fag packets will be olive green, and dominated by large graphic health warnings, with the manufacturers' names printed in a small generic font.

The notes may be fabricated

31 July 2012

Alternative currencies show that money is just an idea that can be redesigned. By Livia Lima

We live in an age when it is difficult to trust our banks, writes Livia Lima, but what about the notes in your purse or wallet? With economies across Europe teetering on the edge of collapse, plans are being drawn up to revive ‘retired’ currencies such as the drachma, and some Greek cities have jumped the gun by issuing their own alternative currencies.

Design for drugs in NYC

7 October 2011

Exhibition will explore the graphic world of pharmaceutical products

A new exhibition at The Herb Lubalin Study Center at The Cooper Union will explore the graphic world of pharmaceutical design. Work by Andy Warhol, Lester Beall, Will Burtin and Herb Lubalin features in the show, which charts design for drugs from the 1940s to the present day. Here, curator Alexander Tochilovsky shares his thoughts about what he sees as a ‘golden age’ in US pharmaceutical design, the 1940s and 50s.

Lost in space

28 July 2011

Why do architects believe their wordless buildings are easy to read?

‘Sign designers are convinced that architects don’t like them,’ writes Rob Waller, in his provocative Monitor piece in the latest issue of Eye (no. 80 vol. 20).

Comic serif

11 August 2010

How Punch magazine turned table talk into cartoons and typography

The British Library have just published a book that explores the inner world of Victorian comic magazine Punch. The Punch Brotherhood, by Patrick Leary, examines the importance of oral culture (or ‘table talk’) in shaping nineteenth-century print culture.