14 April 2014
Le Petit Néant, The Pitchfork Review, Please Come to the Show, Mould Map and Typolitic, a new site for undergraduate work
Here is a selection of things – magazines, exhibitions, books and posters – that caught our attention in recent weeks.
25 March 2014
Content Aware typography makes Adobe’s software ‘fail’ in the most interesting way
Content Aware Fill first appeared in Adobe Photoshop CS5, released in 2010, writes Tom Harrad.
17 March 2014
Pop Art Design, The Magazine 19, Punk 45, D&AD 2013 and REsolutions
Here are brief reviews of some titles that recently arrived at Eye’s Shoreditch office.
20 January 2014
The Cuban OSPAAAL posters in Kemistry’s show pack a macho sense of déjà vu, says Colin Davies.
Walk into Kemistry’s OSPAAAL exhibition in Shoreditch and you might be hit by the Cuban posters’ familiarity – there’s a sense of déjà vu, writes Colin Davies.
2 December 2013
Alphabet postcards, type geeks as ‘birders’, post-digital letterpress, understanding type basics and calligraphy
Here is a brief look at some type-oriented titles that recently arrived at Eye’s Shoreditch office.
18 November 2013
Singapore’s graphic design story matches the city-state’s dramatic narrative, but this breathless overview leaves little time for reflection
In the introduction to Independence: The History of Graphic Design in Singpore since the 1990s, author Justin Zhuang quotes Deyan Sudjic, ‘design is the language that a society uses to create objects that reflect its purposes and values’, writes Steve Rigley.
1 November 2013
Biografiktion, Graffiti School, Travellers’ children, Tretchikoff, Soho divas and Xerography
Biografiktion (Nobrow Press, £18.99, $29.00) is a book of fictional stories about celebrities, set in comic book format.
16 October 2013
The work of Enid Marx links two new exhibitions about animals at Compton Verney in Warwickshire
For designers and illustrators with an interest in print-making there is much to see in two inter-related exhibitions at the beautiful (if rather remote) Compton Verney gallery in Warwickshire, writes Clare Walters.
14 October 2013
A report from day two of the AGI Open conference at London’s Barbican.
Day two of AGI Open kicked off with insights and wisdom about ‘collaborative practice’, write Pam Bowman and Matt Edgar.
10 October 2013
Pulp!, a 1989 newspaper devoted to trees, drew attention to green issues through art, illustration, writing and photography
Pulp! was a one-off, large-format newspaper published in 1989 to raise awareness of pressing green issues.
30 September 2013
Fresh off the rollers and over to the mailing house
The new issue, Eye 86, has been printed and is ready to be sent out to subscribers and bookstores around the world.
5 September 2013
For the Love of Letterpress, Brighton Swimming Club, the history of CGI, Blackletter and Thomas Heatherwick
Here is a brief look at some titles that arrived at Eye’s Shoreditch office in recent weeks.
27 August 2013
Image-makers go Underground to seek inspiration for the outer surfaces of Oyster card holders
Outline Editions, in collaboration with Designjunction, have commissioned ten designers and illustrators – including Noma Bar, Kate Moross and James Joyce – to decorate some limited-edition Oyster card* holders in celebration of the 150th anniversary year of London Underground (whose first journey was in January 1863).
14 August 2013
New Movement Collective inhabits a disused space with dance, architecture, light and sound
The prospect of combining contemporary dance with architecture, light installation and sound is an enticing one – it recognises the natural relationship between body, sound, image and space, writes Sarah Snaith.
6 August 2013
88 magazine lovers have made this one-off newsprint publication for a good cause – raising money to support mag maven Bob Newman
Last March (2013), art director Bob Newman suffered an appalling accident in a swimming pool.
5 August 2013
Works That Work #2, Printed Pages #2, Desktop publishing, Presstival and some words for the London Design Festival
Here are a few publications and announcements that have grabbed our attention over the past week or so.
1 August 2013
Francis Atterbury’s Hurtwood Press takes a high-tech approach to publishing short-run books for photographers, designers and artists
Francis Atterbury’s Hurtwood Press is a new kind of publisher with a old name, writes Andrew Robertson.
31 July 2013
After Butler’s Wharf from the RCA’s CWAD graduates, Vapourware, Tractor Boys, Map of Days and Abram Games’s Penguin covers
23 July 2013
Established graphic designers struggle with the ‘white cube’ of a gallery space. How can emerging designers explain their work in the crowded environs of a graduate show?
Each year, graduating students of the Visual Communication course at the Royal College of Art are faced with the problem of their final graduate show, writes Jessica Morgan.
17 July 2013
Design through a typographic lens – a report from the TDC Awards in New York by Doug Clouse
The Type Directors Club annual competition captures a portrait of design in our time through the lens of typography, writes Doug Clouse.
14 July 2013
The Roundel, quotes and quips, Various Small Books, interaction design and Unearthing
In the first of a new series of ‘Books received’ blog posts, here is a brief look at some titles that recently arrived at Eye’s Shoreditch office.
28 June 2013
A new exhibition recounts the history of political persuasion, from coins to tweets.
The British Library’s exhibition, ‘Propaganda: Power and Persuasion’, shows a 1982 political cartoon that was drawn shortly after martial law was imposed in Poland. The drawing is of General Jaruzelski, a Polish political leader, attempting to bridge the gap between two sides of a widening chasm. The left side represents propaganda; the right represents reality, writes Katy Canada.
26 June 2013
A collaboration – between Columbo, in Sri Lanka, and Falmouth, in the UK – explores the typographic possibilities of the Sinhalese abugida
The orthography of the Sinhalese, one of the peoples of the beautiful island of Sri Lanka‚ is one of three writing systems that populate the visible culture of the south Asian island nation, writes Timothy Donaldson.
24 June 2013
Five D-Crit students team up with experts to make presentations at their graduate symposium
It’s that time of year again, when a host of graduating art and design students prepare to launch themselves upon the world. The degree shows have gone up and this year’s crew are buzzing with anticipation, writes Liz Farrelly. That’s fine if your work looks good on a wall or in a gallery. But what about the new breed of design critics on Masters courses on both sides of the Atlantic? Just how do writers make their mark?
14 June 2013
We shouldn’t glamourise ‘de-branding’ as cool ‘anti-design’, says Alex Cameron. It’s simply against design.
In March this year, the Australian government’s ‘de-branded’ cigarette packaging design was one of fourteen nominated entries – in the Graphics category – in the Design Museum’s ‘Designs of the Year 2013’ awards / exhibition, writes Alex Cameron.
27 May 2013
A magazine for Bob Newman; ‘Image Duplicator’; Erwin Blumenfeld at Somerset House; and Rémi Noël’s ‘This is not a map’
When French art director / photographer Rémi Noël goes to the States, he uses road maps rather than relying on a GPS device. And he prefers silver film to digital photography.
20 May 2013
The Bauhaus Archive presents a tour of German-language typographic history with ‘On-Type: Texts on Typography’.
They say that an exhibition should never be a book on a wall, but ‘On-Type’ is exactly that. The entire exhibition is made up of many books and texts all over the walls at Berlin’s Bauhaus Archive, writes Jessica Jenkins.
1 May 2013
Steven McCarthy examines the way maps represent Eritrea’s capital city, Asmara – from architectural gems to military legacy
Unable to find a map of Asmara prior to my trip to Eritrea, apart from the page-sized version in a Lonely Planet guidebook, I made several screen grabs of Google maps in progessive levels of detail and saved them as images on an iPad, writes Steven McCarthy in his second report from Eritrea.
22 April 2013
Juggalos, Marmite, Thatcher, Fatherless, Dogs in Cars and Designs of the Year
A few awards, books and images that caught our attention in recent weeks.
10 April 2013
Do designers read and write? The Blunt conference aims to inject more writing into design education. Preview by Linda Kwon.
Graphic design is by and large a visual practice used as a tool in the service of others, writes Linda Kwon. The field of design has given little attention to nurturing an integrated practice of writing and criticism.
3 April 2013
Rich in reproductions and spanning a wide range of musical genres, Classic Rock Posters is eye candy for anyone interested in music poster design, writes Holly Harris.
24 March 2013
The Alliance Graphique Internationale pulls out the stops for a two-day, student-oriented event at London’s Barbican this autumn
Last Wednesday saw a rare gathering of some of the UK’s most senior designers (David Gentleman, Sean Perkins, Margaret Calvert, Henrik Kubel), and design educators, crammed into a small room at the Design Museum to announce an event at London’s Barbican Centre on 26-27 September – AGI Open.
18 March 2013
Sign painters, film trailers, Nieves’ zines, Tom Gauld and Pencil to Pixel in New York
A few books, videos, zines and events that caught our eye …
28 February 2013
Designers have been engaged in sex since neolithic times. Well, maybe those neolithics were not designers per se, but they were designing sexual representations, such as Venus (9500-8700BC), found in Lake Bracciano in Italy, writes Steven Heller.
27 February 2013
Bastard chairs and other Works that Work; geometric rugs at the Design Museum; Strike!, posters, a standards manual & the first live Type Tuesday at St Bride in London
Last week we spoke to graphic artist Clayton Junior about his fair trade rug, launching as part of the NODE collection at the Design Museum on 5 March 2013.
24 February 2013
Get your skates on! Only a few days left to enter the 2013 European Design Awards
The submission deadline for the 2013 European Design Awards in Belgrade is fast approaching – it’s Thursday 28 February 2013.
11 February 2013
Scroll down; paper time capsule; Typography Summer School in two cities; design activism at the V&A; Sketchnotes; icons for data
A few objects, images and forthcoming events that caught our attention in recent weeks …
6 February 2013
A review of this year’s Design of Understanding conference by Mark Barratt
‘Stuff that Max Gadney and his friends think is interesting’ would have been a more awkward but accurate title for the one-day conference ‘The Design of Understanding’, writes Mark Barratt. The event was curated by Gadney, an information designer, at St Bride Library, London on Friday 25 January 2013.
28 January 2013
Rick Finlay recalls his time at Reading, a university education that was not about vocation, but ‘raw knowledge and research, and their applicability to whatever life throws at you’
As an undergraduate on the Typography course at Reading University around 1980 I found enough fellow tunesmiths to put together a five-piece band made up only of students on the course, writes Rick Finlay. We were proud of our rock-pop constructions, but also fastidious about the packaging of our demo cassette.
17 January 2013
Dr Hans Sachs was the poster aficionado who launched Das Plakat. By Graham Twemlow
Graham Twemlow writes: A large part of the Hans Sachs poster collection is about to be sold off at auction (see ‘Back on the market’). Born in Breslau, Germany in 1881, Dr Sachs began collecting posters at the end of the nineteenth century while he was training to become a chemist (he later turned to dentistry).
7 January 2013
Chess – the gymnasium of the mind – is a perennial source of inspiration for designers, film-makers and artists, says Jim Sutherland
It’s no wonder chess holds such a fascination for artists, film-makers and designers, writes Jim Sutherland. It has such a rich visual language to plunder.
31 December 2012
The 25th Anniversary edition of the Redstone diary assembles visual and verbal ephemera on the subject of ‘language’, from doctors’ private slang to erotic hand gestures.
The annual spiral-bound desk diary from Julian Rothenstein’s Redstone Press usually delivers a quirky collection of literary and graphic ephemera based around a single theme, such as ‘Daring!’ (2003), ‘The Artist’s World’ (2011) and ‘The Senses (2012).
14 December 2012
‘A Printer’s Tale’, in London next Monday evening, looks at new ways in which the worlds of physical and digital can be plugged together
We’ve known for some time that, despite the unerring rise of digital technologies, print is far from dead, write John Ridpath and Cath Richardson.
26 November 2012
Le Petit Néant, a new annual drawing magazine, is designed to heighten ambiguity and avoid categorisation.
Le Petit Néant is an earnest name for a drawing magazine. French for ‘The Small Nothingness’, the title reeks of existential inquiry, writes Elizabeth Glickfeld.
22 November 2012
Schwitters, typewriting, wood type, the future Detroit Printing Plant and the United Stats of America
This past Friday the last British-made typewriter, the CM-1000, left the Brother factory in Wrexham for London’s Science Museum collection. Eye received a tiny, tactile, hand-printed snake book from Barrie Tullett of The Caseroom Press, wrapped in a typewritten paper sleeve.
26 October 2012
Sneaker art, Coverthink on news design, Kerouac, Lubalin, letterpress and a letter from the Gentle Author.
This week in Noted: branding, editorial design, Kerouac’s scroll, letterpress, more Herb Lubalin and an illustrative alphabet from 1836.
24 October 2012
De Bondt, Boom, Burrill, Butterick, Garland, Kubel, Scher and many more make Typo London 2012 a highly ‘Social’ affair. No question about it.
Typo London commenced with graphic designer Sara De Bondt’s fittingly understated introduction, writes Sarah Snaith.
12 October 2012
What do design students get for their £9000 a year? Cascade is looking for ways to link education to an uncertain future in the world of work
A new academic year is an opportunity for anyone who works in education to re-assess what they do and why they do it, writes Derek Yates. The past twenty years’ cosy myths about art and design education are being blown apart.
10 October 2012
Aspen, the cultural journal that challenged the limits of its form, goes on display at Whitechapel Gallery in London
To read an edition of Aspen magazine is to flip through a booklet, unfurl a concertina, shuffle some postcards or to unfold a poster, writes Elizabeth Glickfeld. Copies of the cult 1960s artists’ magazine are now so prized that the tactile experience of reading any one edition is necessarily denied the viewer of the exhibition ‘Aspen Magazine: 1965–1971’ (in the Pat Matthews Gallery at the Whitechapel Gallery in London).
4 October 2012
The National Poetry Day’s Piccadilly Circus display is a welcome drop of visual poetry in an ocean of brandspace
The big advertising displays of Piccadilly Circus have long been dominated by the big brands: Coca-Cola, McDonald’s, Samsung, etc.
3 October 2012
London Transport’s spare posters go under the hammer at Christie’s tomorrow.
‘Of course it's not about graphic design,’ said my friend, glancing at the high proportion of besuited viewers. ‘It’s about money!’
26 September 2012
The final hours of Graphic Design: Now in Production (the New York leg) provided a snapshot of contemporary practice, from the Stone Twins to Metahaven.
For the final Saturday of Cooper-Hewitt’s ‘Graphic Design: Now in Production’ exhibition in New York, a student and professional crowd massed for ‘The Final Hours’, writes Liz Farrelly. The temporary location (while the Carnegie Mansion is closed for renovation) was Governors Island, a breezy six-minute ferry ride from Lower Manhattan.
13 September 2012
Graphic design and visual culture at the London Design Festival, 14-23 September 2012.
As the London Design Festival [LDF] enters its tenth year, the organisers are preparing to serve up a varied menu of talks, exhibitions and workshops, and our crack team of ‘Noted’ reporters have been getting out their loupes to find examples of graphic design among all the bags and chairs.
7 September 2012
Three elective design courses at New Zealand’s CoCA demonstrate how the pace of physical printing helps the graphic design process.
The manual qualities of printing slow down the creative process, writes Nick Kapica, and provide access to a visual language that can feed back into students core subject areas.
6 September 2012
Marcus Leis Allion hails Song Board – an interactive installation for King’s Cross commuters
This summer, as passengers rush through the new entrance to London’s King’s Cross Station to check the departure boards, they can pause to play with an interactive wall of coloured balls, writes Marcus Leis Allison.
30 August 2012
Judging by this digital project, reports of the death of the poster have been greatly exaggerated.
For four weeks this summer, roadside advertising specialists Outdoor Plus gave a small group of participants from Central Saint Martins the chance to reach an audience of millions, writes Alex Cameron.
28 August 2012
Brighton’s September conference for coders and designers is back with a bang (but less Flash)
Every September since 2006, I’ve going to Brighton for the conference I founded, writes John Davey. For the first six years it was called ‘Flash on the Beach’ (FOTB).
17 August 2012
East Germany’s biggest design archive is about to be put under wraps, inaccessible to scholars and the general public, writes Jessica Jenkins
In the period of political upheaval immediately after the fall of the Berlin Wall, an unknown amount of GDR design material was hastily sold off to dealers, writes Jessica Jenkins – something of a mixed blessing, since, while it was consequently conserved and evaluated, the material was lost to public view.
13 August 2012
‘Inside / outside’ – a symposium about the future of exhibition spaces at the new Tate Tanks – questioned the future of art institutions
The Tate Modern’s symposium ‘Inside / Outside: Materialising the Social’ marked the first weekend of ‘The Tanks: Art in Action’ exhibition, a series of immersive installations and performance art pieces on display until 28 October 2012, writes Sarah Snaith.
22 July 2012
Typecache, marginal Brazil, mags with letters, Malick Sidibé’s studio
Here are a few more links that caught our attention in recent days.
20 October 2011
Adrian Shaughnessey on the rise of laptop aesthetics … from 2003
What are the major stylistic trends in current graphic design? wrote Adrian Shaughnessey in Eye 49 (2003).
7 October 2011
Exhibition will explore the graphic world of pharmaceutical products
A new exhibition at The Herb Lubalin Study Center at The Cooper Union will explore the graphic world of pharmaceutical design. Work by Andy Warhol, Lester Beall, Will Burtin and Herb Lubalin features in the show, which charts design for drugs from the 1940s to the present day. Here, curator Alexander Tochilovsky shares his thoughts about what he sees as a ‘golden age’ in US pharmaceutical design, the 1940s and 50s.
16 September 2011
Buzzwords and the inspiration of improv at the Brighton codefest
If you were to play buzz-word bingo at Brighton’s ‘Flash on the Beach’, the squares for ‘awesome’, ‘pumped’ and ‘stoked’ would fill up pretty quickly, writes John L. Walters. A wordcloud of all three days’ presentations would bloom with the same words, plus ‘HTML5’, ‘agile’, ‘responsive’, ‘Molehill’ and the inevitable ‘clients’, ‘schedules’ and ‘budgets’.
7 April 2011
Steven McCarthy wonders why US graphic designers don’t get out much
Where are the Americans? Why do international design conferences have such a low turn-out from United States scholars and educators?
28 February 2011
The Mill Co. Project and the collaborative work ethic
Mill Co. bills itself as a ‘full service creative agency’ – yet the ‘Co.’ doesn’t stand for company, but for co-operation, writes John Ridpath.
11 December 2008
Pictures of empty and abandoned spaces in the US and Japan
Abandoned buildings and places have always invited photography.