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Jacqueline Casey. Science and design
Jacqueline Casey was instrumental in developing what became known as the MIT Style. By Elizabeth Resnick
Freedom in the graphic galaxy
Minimalism. Maximalism. Chaos. Software advances plus a reconciliation of two strains of Modernism may finally lead us towards a new screen aesthetic
Meanwhile, in the weird world of art
When musicians remake an old hit, it’s called a cover version. When a painter copies an illustrator it’s called fine art
Blank Generation
The glossy enigma of digital supergirls. Critique by Rick Poynor
White space, silent thoughts
Visual data is often all we need: sound can divert the mind from interpretation, from completing the gesture. By Jessica Helfand
You are under our control
Design, technology and psychology conspire to find new ways of teasing and fraying the passive viewer’s nerves
The end of the line
By favouring drawing over communication in the selection of students, graphic design education is missing the point
Not waving but dancing
British graphic design, like art, pop and fashion, is on a high. But does it know where it is going – or why?
Geometry is never wrong
The ‘exact beauty’ of De Stijl could provide cyberspace with a new set of design co-ordinates.
Experiments in hypertype
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