Blog: Design history

7 January 2013

The power of chess

The power of chess

Chess – the gymnasium of the mind – is a perennial source of inspiration for designers, film-makers and artists, says Jim Sutherland
It’s no wonder chess holds such a fascination for artists, film-makers and designers, writes Jim…

10 December 2012

Sun-cheese wheel-ode

Sun-cheese wheel-ode

Dom Sylvester Houédard’s 1968 concrete poetry tribute to fellow poet Ken Cox is a double spiral of hand-set type, mysteriously linked by the sport of cheese rolling. Fraser Muggeridge explains.
The letterpress printed concrete poem designed by Dom Sylvester Houédard first caught my interest because…

13 November 2012

Type in Wapping

Type in Wapping

Pencil to Pixel opens up Monotype’s archive of typographic history, from artwork to artefacts
The ‘Pencil to Pixel’ exhibition, which opens this Friday at Metropolitan Wharf in London, gives…

7 November 2012

Something to say

Something to say

The current vogue for letterpress is more than mere retro-nostalgia, writes Catherine Dixon in the run-up to Friday’s St Bride conference.
Letterpress is everywhere, writes Catherine Dixon (co-organiser of ‘Letterpress: Something to Say’). Once a boutique…

2 November 2012

Graphic design history to boot

Graphic design history to boot

Everything must go when Ian Anderson sells off the contents of The Designers Republic (TDR) archive in its Car Booty Affair in Sheffield.
At what point does the ephemera that is graphic design become collectable? When does a…

31 October 2012

The men with a movie poster

The men with a movie poster

Eighteen works by the Stenberg Brothers (Vladimir & Georgii), including five original designs for posters, go under the auctioneer’s hammer on 1 November 2012.
In the wake of the Christie’s sale of London Transport posters (see ‘The purpose of…

29 October 2012

Giants of the visual imagination

Giants of the visual imagination

While others struggle with ‘personal expression’, the Vignellis prove that a simple approach and focus makes great design, writes Quentin Newark.
Quentin Newark writes: As I was designing the catalogue for the Tate Modern exhibition ‘Albers…

10 October 2012

The magazine that wasn't

The magazine that wasn't

Aspen, the cultural journal that challenged the limits of its form, goes on display at Whitechapel Gallery in London
To read an edition of Aspen magazine is to flip through a booklet, unfurl a…

3 October 2012

The purpose of posters

The purpose of posters

London Transport’s spare posters go under the hammer at Christie’s tomorrow.
‘Of course it's not about graphic design,’ said my friend, glancing at the high proportion…

26 September 2012

‘Shake hands with the devil’

‘Shake hands with the devil’

liz farrelly

The final hours of Graphic Design: Now in Production (the New York leg) provided a snapshot of contemporary practice, from the Stone Twins to Metahaven.
For the final Saturday of Cooper-Hewitt’s ‘Graphic Design: Now in Production’ exhibition in New York…
 
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