Thursday, 10:16am
4 October 2012
Not drowning but waving
The National Poetry Day’s Piccadilly Circus display is a welcome drop of visual poetry in an ocean of brandspace
The big advertising displays of Piccadilly Circus have long been dominated by the big brands: Coca-Cola, McDonald’s, Samsung, etc.
For a few brief moments today, National Poetry Day, for five minutes every hour (from 9am to 2pm) a single horizontal panel (above) was devoted to visual interpretations of Charles Causley’s poem I Am The Song.
The young artists and film-makers struggled a bit with the narrow format, which you could see as a kind of turbo-widescreen or a glorified Web banner, but it was a nice change from the relentless waves of advertising, a small gift to passers-by and sharp-eyed passengers on the tops of buses.
Next time, it woud be good to see one of the larger panel repurposed for cultural purposes: a temporary autonomous zone within the ocean of brandspace.
Eye is the world’s most beautiful and collectable graphic design journal, published quarterly for professional designers, students and anyone interested in critical, informed writing about graphic design and visual culture. It is available from all good design bookshops and online at the Eye shop, where you can buy subscriptions and single issues. Eye 83 is out now, and you can browse a visual sampler at Eye before You Buy.