Opinion

 
Body of work (65)

Body of work (65)

Wellcome Collection

Rick Poynor

Extraordinary content and sensitive design establishes the Wellcome Collection as one of London’s essential museum stops
 

Editorial Eye 65

John L. Walters

Talking about design is not the same as writing about design, and blogging is somewhere in…
 
My (red and) white bicycle (Web only)

My (red and) white bicycle (Web only)

Rick Poynor

Barcelona's Bicing is a triumph, but its logo seems to have been improvised with a magic marker.
 
Comfortably Numb (64)

Comfortably Numb (64)

Critique Eye 64

Rick Poynor

Tyler Brûlé's high-flying monthly promises a cool, global perspective, but its attitudes to consumption are grounded in the 1980s
 

Messy medium

Agenda / social media

William Owen

Social media is shifting message-making away from mass media and into the hands of multiple users.
 
The writing on the gallery wall (Web only)

The writing on the gallery wall (Web only)

Web Critique

Sara Fanelli’s hand-lettering makes the Tate Modern more user-friendly, but what does it say about the art inside?
 

Being good

Monitor

Lucienne Roberts

When designers start to question what words such as ‘good’ and ‘bad’ and ‘soul’ really mean, they can’t avoid ethics. And that’s no bad thing.
 

What do we call ourselves now?

Agenda

Steven Heller

In a world of brand specialists and information architects, is it enough to call ourselves ‘graphic designers’ without sounding either overly specialised or obsolete?
 

Down with artspeak

Letter to the editor

Letter from Tom Newman, Still Waters Run Deep
 
Out of the ordinary

Out of the ordinary

Critique / Photography

Rick Poynor

Banal, amateur snapshots become almost poetic in these books by Fiona Tan
 
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