Opinion
Geometry is never wrong
The ‘exact beauty’ of De Stijl could provide cyberspace with a new set of design co-ordinates.
Blink: the stress of reading
Spare a thought for the reader’s overworked eye muscles when designing text pages
Editorial Eye 64
There’s nothing like working on a quarterly magazine for giving one an acute sense of…
Words fail us
Serious discussions of the relationships between message, audience and graphic design are still handicapped by a limited lexicon. Yet our need for an enriched language is greater than ever.
The language is the logo
Corporate identity design should look more at the underlying structures of the project, rather than merely roll out acronyms and symbols: systems are stronger than signs
The end of the line
By favouring drawing over communication in the selection of students, graphic design education is missing the point
What happens when the edges dissolve?
We are living in a time of profound ambiguity. Physical and institutional boundaries are in flux. The blur is the emblem of design in the 1990s.