Opinion

Editorial Eye 54

Editorial Eye 54

One of the themes discussed in Eye 53, our ‘Brand madness special issue’, was the…
Scalpel sharp

Scalpel sharp

Graphic design, Music design, Photography, Visual culture, Critique / Photography

Rick Poynor

A UK retrospective examines the explosive photomontages of feminist artist Linder, from the shock of her punk collages to pictures that juxtapose provocation with flowers and dance
Among the spirits

Among the spirits

Photography, Critique / Photography

Rick Poynor

Nadav Kander’s poetic and mysterious portraits of celebrities steal the limelight in his new book The Meeting. Photo Critique by Rick Poynor
Four-wheeled dreams

Four-wheeled dreams

Photography, Critique / Photography

Rick Poynor

A new book of photographs of cars fails to acknowledge the bigger picture. Photo Critique by Rick Poynor
Editorial Eye 99

Editorial Eye 99

Editorial

John L. Walters

Eye has always been both a cultural journal and a business-to-business magazine. Though we value…
Traces of longing

Traces of longing

Critique / Photography

Rick Poynor

For Belgian collagist Katrien De Blauwer, making work is both an obsession and an act of therapy. By Rick Poynor
Defiance and revelation

Defiance and revelation

Photography, Critique / Photography

Rick Poynor

A new book of Peter Kennard’s work adds context and background detail to his angry, radical photomontages. Photo Critique by Rick Poynor
Banquet of images

Banquet of images

Photography, Critique / Photography

Rick Poynor

For its 50th anniversary, the Arles festival stages a generous array of contemporary and historical exhibitions. Photo Critique by Rick Poynor.
Nature in captivity

Nature in captivity

Photography, Critique / Photography

Rick Poynor

Luigi Ghirri’s rigorously composed pictures of 
plants outside people’s homes exercise a banal fascination. Photo Critique by Rick Poynor
A confederacy of lunches

A confederacy of lunches

Food design, Photography, Visual culture, Critique / Photography

Rick Poynor

A text-only book argues that ‘social’ photography is more about self-documentation than aesthetics. By Rick Poynor
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