Opinion

 
Mining the ruins

Mining the ruins

Critique / Photography

Rick Poynor

When petrol replaced coal, the island of Hashima lost its purpose and slowly decayed. Rick Poynor examines a new photobook haunted by the past
 
Editorial Eye 96

Editorial Eye 96

Magazines, Editorial

John L. Walters

Magazine special issue, part one
 
Enigmas of abstraction

Enigmas of abstraction

Critique / Photography

Rick Poynor

Photography records with startling accuracy. Why use it to create non-representational images? Photo Critique by Rick Poynor
 
Different kinds of marginal

Different kinds of marginal

Critique / Photography

Rick Poynor

Diane Arbus’s unsparing images retain their power to discomfit. Photo Critique by Rick Poynor
 
Colour field

Colour field

Photography, Visual culture, Critique / Photography

Rick Poynor

By choosing colour over black-and-white, Joel Meyerowitz pioneered a new type of American street photography. Photo Critique by Rick Poynor
 
Fabricated reality

Fabricated reality

Photography, Critique / Photography

Rick Poynor

Andreas Gursky’s photographs, manipulated like digital paintings, have spectacular impact. But they can display a lofty detachment from their subjects. Photo Critique by Rick Poynor
 
Witness of the moment

Witness of the moment

Photography, Critique / Photography

Rick Poynor

A book of informal interviews with Henri Cartier-Bresson is testament to a great photographer’s intuitive eye. Photo Critique by Rick Poynor
 
Editorial Eye 95

Editorial Eye 95

Graphic design

John L. Walters

Last summer, during a visit to London, Triboro’s David Heasty made a strong case for…
 
Relentless riches

Relentless riches

Book design, Graphic design, Photography, Critique / Photography, Front matter

Rick Poynor

A busy blockbuster traces the stunning history of Japanese photobooks. Photo Critique by Rick Poynor
 
Mississippi dreaming

Mississippi dreaming

Photography, Critique / Photography, Web Critique

Rick Poynor

Alec Soth’s photographic journey along the Mississippi merges the documentary with the poetic. Photo Critique by Rick Poynor
 
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