Feature

 
Ultra process

Ultra process

John L. Walters

Tool, agent or end of days? John L. Walters asks designers and image-makers how and why they use visual AI and what this might mean for creativity [EXTRACT]
 
Baked in

Baked in

J-P Hartnett

Its ethical problems may be nothing new, but as ‘AI’ invades graphic designers’ workspaces, its excessive energy consumption, resource extraction and exploitation of creative labour need tackling head on. By J. P. Hartnett
 
Where the wild type is

Where the wild type is

Holly Catford

Working across record covers, logos, merchandise and stage design, Amaya Segura brings innovative typography to contemporary R&B, hip-hop and beyond. Interview by Holly Catford [EXTRACT]
 
Learning from Coney Island: Michael Doret and American lettering

Learning from Coney Island: Michael Doret and American lettering

Norman Hathaway

When Norman Hathaway was asked to edit and design Michael Doret’s monograph, it was a chance to fill in some gaps in the history of illustrative lettering [EXTRACT]
 
Eye type reviews

Eye type reviews

Mark Thomson, Silvia Sfligiotti, Dan Reynolds, Robert Newman, Linda Kudrnovská, Bryan Edmondson

Six contemporary type reviews by Bryan Edmondson, Dan Reynolds, Mark Thomson, Silvia Sfligiotti, Linda Kudrnovská and Robert Newman
 
Reputations: Margaret Calvert

Reputations: Margaret Calvert

John L. Walters, Simon Esterson

‘If I look back at my beginning and everything, it’s learning on the job. You teach yourself and you pick up things and you look and you research – and it happens.’ Interview by John L. Walters and Simon Esterson. Portrait by Philip Sayer [EXTRACT]
 
Phil Baines remembered

Phil Baines remembered

Andy Altmann, Catherine Dixon, Robin Klassnik, Judy Willcocks, Alessia Mazzarella, Kevin Carmody, John L. Walters

Friends and colleagues pay tribute to the influential British typographic designer, writer and teacher (and cycling enthusiast), who died in January [EXTRACT]
 
Harmony and counterpoint

Harmony and counterpoint

Ferdinand P. Ulrich

The ideas and assumptions behind ‘global’ or ‘multi-script type’ raise complex and nuanced issues that have taxed both type designers and graphic designers for years. Current technology and the demands of communication and ‘branding’ have thrown up debates about the creation of readable documents, signs, packages and websites in which two or more different scripts are obliged to coexist. In this article, designers from different corners of the globe discuss some of the concerns and contradictions that inform the making and setting of multiple scripts with Ferdinand P. Ulrich [EXTRACT]
 
Archiving the archive

Archiving the archive

Eye editors, John L. Walters

When the Type Archive left its London premises, its vast collection was disbanded and its working Monotype hot-metal plant moved to the National Collections Centre. Two long-serving volunteers talk to Eye about the challenges they faced and how the history of the Archive is now being preserved. Photographs by Philip Sayer [EXTRACT]
 
Eye type review. Take six fonts

Eye type review. Take six fonts

Mark Thomson, Indra Kupferschmid, Silvia Sfligiotti, Dan Reynolds

A snapshot of contemporary type design, with half a dozen reviews by Mark Thomson, Indra Kupferschmid, Silvia Sfligiotti and Dan Reynolds
 
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