Feature: Music design
Interview with Dan Fern
Professor Dan Fern explains his pioneering ‘MAP / making’ course at the Royal College of Art, London
Malcolm, Peter … and Keith
The British New Wave was born at a boys’ school near Manchester
Envisaging soundscapes: classical album covers
When designers and marketing teams attempt to visualise serious music, they reach for fine art, photography or artist portraits. How do these selections affect the listening experience – and the buying impulse – when there are more classical recordings in the racks than ever before?
Time, motion, symbol, line
Choreographers through the centuries have made brave, often beautiful attempts to visualise and record their work. Technology provides new means, but scoring a moving, dancing body in four dimensions remains elusive
Punk uncovered: an unofficial history of provincial opposition
British punk gave a sound, a voice and a visual currency to the disenfranchised and remote. Overlooked, uncelebrated and difficult – the output of the anonymous artworkers who packaged the vinyl spewed out by punk’s first waves captured the oppositional (and occasionally political) spirit of the time. By Russell Bestley and Ian Noble.
23 Envelope: ambience and inner space
Operating undercover, using the enigmatic title of 23 Envelope, Nigel Grierson and his partner Vaughan Oliver created designs of exceptional power. Their work inspired the next generation of image-makers. By Rick Poynor
Day-Glo mind blow
Psychedelia hit late 1960s London in an explosion of silk-screen colour