Feature: Motion graphics
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Motion design is everywhere. The gleaming screens of our phones, TVs and poster sites demand more and more ways to make words and pictures dance in space and time. By John L. Walters
Jump cuts: Dirk Koy
‘It was a kind of experiment between control and coincidence, which is still an important part [of] the process in my work today’
Jump cuts: Mitch Paone
‘It’s not a poster, you’re in a 360-degree universe you can play with. You’ve got to get out of the frame!’
Jump cuts: Saskia Marka
‘It looks now like it was always the concept, but it was created from a necessity.’ [EXTRACT]
Jump cuts: Oliver Latta aka Extraweg
‘I want to pull the viewers out of their comfort zone and, what is most important, I want to make them feel or think something’ [EXTRACT]
Jump cuts: Hiromu Oka
‘By using Risograph to actually print on paper and then digitally scan it, I was able to create an authentic warmth’
Jump cuts: Len Lye
‘Motion is not an intellectual game. There is not a moment in life that’s empty of kinetic experience’ [EXTRACT]