Feature: Graphic design

Crowd control

Crowd control

Designers are making illustrated books through crowdfunding instead of traditional publishing methods. By John L. Walters
Ten projects by Jim Sutherland

Ten projects by Jim Sutherland

A graphic designer downsizes to spend more time thinking, studying and designing without commercial studio pressures. What could possibly go right? By Simon Esterson. Portrait by Philip Sayer
Anette Lenz: Poetic rhetoric in the public realm

Anette Lenz: Poetic rhetoric in the public realm

Over nearly three decades, Anette Lenz has made work that transcends trends and technology. Profile by Jan Middendorp
Eye’s early years

Eye’s early years

Founding editor Rick Poynor recalls the aims and ideas behind the launch of an independent design magazine
Evi O. Studio: Feast between the lines

Evi O. Studio: Feast between the lines

This Sydney-based studio brings high-energy illustration and lettering to editorial design for food [EXTRACT]
Letterform Archive: Objects of Inspiration

Letterform Archive: Objects of Inspiration

Letterform Archive is feeding the post-digital generation’s passion for physical artefacts
Chloe Scheffe: Rethinking editorial design

Chloe Scheffe: Rethinking editorial design

Brooklyn-based Chloe Scheffe designs books by groundbreaking thinkers and tackles magazines with a similarly radical approach
Dafi Kühne: By his own hand

Dafi Kühne: By his own hand

Swiss designer Dafi Kühne works wholly in traditional letterpress techniques with entirely contemporary results
Spassky Fischer: Concrete moves

Spassky Fischer: Concrete moves

The work of this prolific young French studio is founded on practicality and systems, while transcending such prosaic methods
‘As, not for’: The critique goes on

‘As, not for’: The critique goes on

‘As, Not For: Dethroning Our Absolutes’ is an itinerant exhibition of work by black designers whose legacy has been neglected for too long
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