Feature

 
The business of type design

The business of type design

Sarah Snaith

The challenges of earning a living from type design, with honest, thoughtful responses from foundries worldwide
 
Last man casting

Last man casting

Ferdinand P. Ulrich

Rainer Gerstenberg is one of the few people in the world to cast foundry type, keeping alive a craft that was developed more than half a millennium ago
 
Tales from the West Coast

Tales from the West Coast

Patrick Baglee

With its origins in ‘live journalism’ shows, The California Sunday Magazine achieves its narrative power through a cinematic approach to photography and type
 
The start-up that stopped

The start-up that stopped

Anne Miltenburg

Over just ten issues, Peter Biľak’s Works That Work sought to rethink design, while exploring new models of distribution and finance
 
Surfers and divers

Surfers and divers

Anja Neidhardt

An innovative website tells the story of the Palestinian people in their own words, in two languages
 
This woman’s work

This woman’s work

John L. Walters

Kate Hepburn’s design career, embracing pioneering magazines such as Spare Rib and Vole as well as comedy and rock’n’roll, is rooted in rigorous typography
 
The alternative viewpoint

The alternative viewpoint

Alice Twemlow

The magazines in the stable of Jop van Bennekom and Gert Jonkers are as distinctive in their editorial voices as they are in their visual tone and design
 
Lovable loser

Lovable loser

Marianne Hanoun

A daring approach to sports journalism earned the short-lived Jock magazine a place in design history
 
Pulling back the curtain

Pulling back the curtain

David Crowley

Published by the Communist Women’s League, Ty i Ja [You and I] was an ambitious 1960s title that brought the outside world to its Polish readers
 
Two-colour haikus

Two-colour haikus

Paul Harpin, John Miles

Banks & Miles art directed Which? magazine, the Consumers’ Association’s flagship title and its covers. John Miles talks to Paul Harpin
 
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