Feature

 
The tenth pioneer

The tenth pioneer

Martha Scotford

Cipe Pineles was a design innovator. Why, when the history came to be written, was she left out?
 

Penguin science fiction covers

uncredited author

David Pelham’s covers for Penguin’s science fiction titles gave a frowned-upon genre a strong literary presence
 
Writing on the wall: The posters of James Victore

Writing on the wall: The posters of James Victore

Steven Heller

With a visual polemic of angry scrawls that stop pedestrians in their tracks, this committed New Yorker tackles Shakespeare, safe sex and racism in personal (frequently self-financed) projects that hammer home graphic design’s potential to make a difference
 

The myth of genius

Monika Parrinder

The myth of genius – which promotes the artist as a lone, (even mad) pioneer – emerged when craftsmen first strove to become respected members of an elite. But before designers get too excited about winning the status of the artist, perhaps some caution is required.
 

Envisaging soundscapes: classical album covers

Jeremy Hall

When designers and marketing teams attempt to visualise serious music, they reach for fine art, photography or artist portraits. How do these selections affect the listening experience – and the buying impulse – when there are more classical recordings in the racks than ever before?
 
Magic box: craft and the computer

Magic box: craft and the computer

David Crow

Long undervalued as a poor relation of art and design, craft is central once more. Essay by David Crow
 
Retro-sexism

Retro-sexism

Judith Williamson

The bleak reality of sexism, however 1970s, or ‘cool’, demands a critique
 

Pictures for rent

Abbott Miller

Stock photography receives little attention and wins even fewer awards, but it makes up a corporate vernacular that informs almost all levels of graphic design
 
Time, motion, symbol, line

Time, motion, symbol, line

Jonathan Burrows

Choreographers through the centuries have made brave, often beautiful attempts to visualise and record their work. Technology provides new means, but scoring a moving, dancing body in four dimensions remains elusive