Feature

 

Pre-postmodernity

Adrian Shaughnessy

Does a small book from nearly 30 years ago encapsulate a ‘golden age’?
 
Herbert Spencer: 1924-2002

Herbert Spencer: 1924-2002

Ken Garland

Ken Garland recalls the late British designer and editor who died earlier this year
 

Waiting for the total toolset

Brett Wickens

Macromedia Director 5 is much improved, but still not quite the ultimate all-in-one toolset
 

Bodies, text and motion

William Owen

Peter Greenaway’s new film, The Pillow Book, is his most sophisticated essay in graphic cinema
 

Reputations: Michael Bierut

Steven Heller

‘The biggest challenge that faces a designer isn’t the quest for novelty, but coming to grips with the fact that much of what we do has little content’
 

Reputations: Jon Barnbrook, Virus

Rick Poynor

One of type design’s young stars talks about his new company and the pressures of early success.
 
Survival

Survival

Chris Morrow

A slave ship diagram is used as a symbol for the Black diaspora
 

Drag me. Click me.

James Souttar

A sprinkling of icons may make for a pretty interface, but many of them are opaque and meaningless
 

Tart art

Tom Phillips

Despite regular attempts to suppress this unique 'folkart', London's public phone booths remain eclectic galleries of erotic vernacular.
 

The image as evidence

Richard Hollis

The career of Germano Facetti is exceptional in its range. As art director of Penguin Book covers in the 1960s and as a designer, he was a powerful influence on book and information design, throwing a special light on Modern Movement aspirations and on attitudes to illustration. Facetti has maintained the concept of “documentary” and diagrammatic illustration to induce understanding, to express emotion, or to accumulate information in a more memorable way.