Feature

 
Bring me the head of Nelson Mandela

Bring me the head of Nelson Mandela

Sean O'Toole

Activist; fugitive; prisoner; icon: the evolving face of a famous name
 

Reputations: Malcolm Garrett

Rick Poynor

‘I figure it’s my job to be this kind of blinkered believer. You know: I am the new futurist, I will live in the technological world.’
 

Reduced Eden: gardens and flowers

David Heathcote

Scopophilic horticulture is back with a vengeance. Photographers and designers strive to represent raw nature in the form of outdoor chill-out spaces: sublimated eroticism for the consuming classes, or a canonic celebration of the persistence and transience of beauty?
 

Štorm: living history

Petra Černe Oven

The unbearable lightness of being a type designer in Prague
 

Multiple meanings

Richard Hollis

Uwe Loesch’s posters have the linguistic subtlety and precision of conceptual art. They demand attention, then release their significance bit by bit.
 

Digital type decade

Emily King

The sound and fury of ‘radical’ typeface design associated with the early days of PostScript have quietened into a purposeful, prolific hum. There’s a new order of craft and and invention, driven by corporate culture, nostalgia and the demands of the screen.
 
Reputations: J. Abbott Miller

Reputations: J. Abbott Miller

John L. Walters

'We could be more aware of the civility of design, of how it can be constructive in a poetic sense, not just like a sneeze of capitalist excess’
 

Marks on paper

Julia Thrift

Letterpress’s eclipse by digital typesetting has been a liberation for typographer Alan Kitching
 
Time Out covers

Time Out covers

Emily King

Pearce Marchbank’s covers added an editorial edge to a listings magazine
 

Compare and contrast

Emily King

With a CD-ROM based on its legendary lettering archive, Central Saint Martins has created a new tool and resource