Feature

 
Reputations: Wolfgang Weingart

Reputations: Wolfgang Weingart

Yvonne Schwemer-Scheddin

‘My work is like a quarry. People see a stone they like, appropriate it and work it until there’s nothing left.’ Eye talks to the father of New Wave typography.
 

Typo Photo

Julia Thrift

London’s most progressive designers are working with a small group of photographers highly sympathetic to their aims
 
BJ

BJ

Katy Homans

Robert Brownjohn wanted to eliminate the boundaries between experience and design. In an explosively short career of remarkable promise, he pushed graphics, advertising and film to their conceptual limits
 

Cultural Identities

Margo Rouard-Snowman

With the enormous number of new museums comes a need for clear graphic identity
 

Mondo magazines

William Owen

Some of the sharpest and most influential graphic design ideas come from the new magazines. Eye thumbs the pages of the international press and takes a close look at three of the most consistently creative titles: i-D, Interview, and Beach Culture
 

The Painted Word

Andrzej Klimowski

While some designers rush for their keyboards, Henryk Tomaszewski prefers to create his posters as he always has — with a paintbrush
 

Identity kit

Eye writers

8vo’s flexible identity for Uden Associates
 

Traces of man

Liz Farrelly

Herbert Spencer’s photographs celebrate accidental design
 

Cranbrook in close-up

Ellen Lupton

Projects by David Frej, Katherine McCoy, Edward Fella and Allen Hori
 

The academy of deconstructed design

Ellen Lupton

Students and graduates of Cranbrook Academy of Art are producing some of the world’s most challenging graphic design.
 
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