Adam Michaels and Prem Krishnamurthy of Project Projects bring deep cultural engagement to every aspect of their practice, both in their client work and in their personal ventures
‘We were interested in working internationally, to learn from different cultures and to know how design behaves globally. We had international clients. But you really need people in those places to stay active. So the answer is sharing.’
From Penguin bestsellers to Royal Mail stamps; from elaborate playing cards to the covers of Radio Times; the illustrator and designer Tony Meeuwissen has always taken a dedicated and detailed approach to his exquisitely hand-crafted artwork. Mike Dempsey reflects on a career that has spanned more than 50 years
Platon specialises in arresting portraits of the world’s movers and shakers; now, with his People’s Portfolio, he’s aiming to tell another side of the story
‘I compare my work to architecture. I don’t build villas, I build social housing. The books are industrially made and they need to be made very well. I am all for industrial production. I hate one-offs. On one book you can do anything, but if you do a print run, that is a challenge. It’s never art. Never, never, never.’
The challenges of digital publishing have galvanised a new spirit in book design and production. Is it just the decadent flourish of a disappearing format?
The redesign of RTL Nieuws makes a radical break with the conventions of television news graphics, crossing the now fluid boundaries between broadcast and online.
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