Feature
Jump cuts: Mitch Paone
‘It’s not a poster, you’re in a 360-degree universe you can play with. You’ve got to get out of the frame!’
Jump cuts: Saskia Marka
‘It looks now like it was always the concept, but it was created from a necessity.’ [EXTRACT]
Jump cuts: Oliver Latta aka Extraweg
‘I want to pull the viewers out of their comfort zone and, what is most important, I want to make them feel or think something’ [EXTRACT]
Jump cuts: Matt Willey
‘Light gets turned into graphic dots – I thought this might be a nice way of capturing that feeling without being too literal or cheesy’
Jump cuts: Hiromu Oka
‘By using Risograph to actually print on paper and then digitally scan it, I was able to create an authentic warmth’
Jump cuts: Len Lye
‘Motion is not an intellectual game. There is not a moment in life that’s empty of kinetic experience’ [EXTRACT]
Reputations: Peter Knapp
‘I redesigned the Elle logotype as I thought it was too small. I wanted its letters to sit with the head of the cover model by enlarging the letter-spacing. Of all the things I’ve done, this is the one thing that was never changed.’ Interview by Serge Ricco [EXTRACT]
Time stretched further out
We made this: Punkt’s design for David Sylvian’s photobook ERR