Feature
Dan Rhatigan: All about workflow
John L. Walters, Simon Esterson
Monotype’s UK type director talks about the way the company’s 125-year history informs its approach to twenty-first century challenges.
Show and tell
From great apes and pop fans to real children’s spaces, James Mollison’s photographs invite the viewer to look beyond face values.
They work with words: 3
As an exercise in cross-Channel translation, OK-RM has devised a typographic spread exclusively for Eye.
They work with words: 2
Modern Toss has devised a typographic spread about the perils and pleasures of punctuation – exclusively for Eye.
They work with words: 1
Fraser Muggeridge has devised a typographic spread exclusively for Eye.
Devil in the detail
Careful, even-tempered typographer by day – wild art director by night? For John Morgan, both the typographic detailing and the grand gestures are essential to each project’s unique ‘atmosphere’. By John L. Walters.
The line of beauty
Script typefaces, currently enjoying an unprecedented popularity, bring a vital element of humanity to the digital age. By Paul Shaw and Abby Goldstein
Last things last
It’s not a case of ‘us and them’! Ken Garland addresses an issue left unsaid in his 1964 First Things First manifesto: an acknowledgement of the client’s essential role in graphic design
Miss Fixit
Tina Roth Eisenberg never had a business plan. But all the things she dreams up – the Swissmiss blog, ‘creative mornings’, stick-on tattoos – pay off. By Steven Heller