Feature

 
Reputations: Marian Bantjes

Reputations: Marian Bantjes

John L. Walters

‘I’ve come close to working with a couple of agencies for very big brands, but either the money isn’t there or the agency just has a stupid idea that I’m not interested in working on. Like they want type with a bunch of bullshit curlicues coming off it. Yawn. Go away.’
 
Buying into the Norm cosmos

Buying into the Norm cosmos

Liz Farrelly

The Swiss practice’s typefaces are quirky, oddly popular, and deceptively simple – also a critical response to neutrality
 
Modern method

Modern method

Kerry William Purcell

As the Design Museum launches a retrospective of Wim Crouwel’s work, Kerry William Purcell interviews the Total Design (TD) co-founder.
 

Little, British…

David Brittain

With contributors such as Ballard and Paolozzi, Ambit is a literary magazine that has always punched above its weight
 
Lessons from an abandoned fish factory

Lessons from an abandoned fish factory

Anne Odling-Smee

This project showed MA students at Central Saint Martins how design can work in the ‘real world’
 

Adventures in motion pictures. Frozen fire

Kerry William Purcell

‘It’s like a game of rock-paper-scissors, in which the flicker of film melts the frozen photograph.’
 
Unkle’s erotic box

Unkle’s erotic box

Warren Du Preez and Nick Thornton Jones

Warren Du Preez and Nick Thornton Jones create an identity for James Lavelle’s ‘faceless’ project
 

Crash covers

Rick Poynor

J. G. Ballard’s novel resists attempts to summarise it with a single image
 
What the client needs

What the client needs

Alexander Ecob, Eye critics

US designer George Tscherny talks about his 56 years working with the School of Visual Arts.
 
Classical crossroads

Classical crossroads

Peter Quantrill, Mike Dempsey, Philip Sheppard

Design meets serious music: long programme notes, small budgets and ‘de-averaging’
 
< First  < 30 31 32 33 34 >  Last >