Feature

Postmodern jam session

Postmodern jam session

Jan Middendorp

Jan Middendorp recalls Fuse, the type ‘magazine’ that opened up (and put the lid on) a transient era of adventurous type design from small digital foundries
Rethinking Lubalin

Rethinking Lubalin

Adrian Shaughnessy

As his book on Herb Lubalin – the first in almost 30 years – goes to press, Adrian Shaughnessy explains his change of heart about the US typographer
Street life

Street life

Nick Kapica

Bremen’s street magazine Die Zeitschrift der Strasse is a social project that benefits its student publishers as much as its homeless vendors. By Nick Kapica
Free for all

Free for all

John Ridpath

In designing the Ubuntu type family, Dalton Maag had to produce faces for print and screen in thirteen styles and numerous non-Latin languages – all under scrutiny from an online audience of millions. By John Ridpath
Reputations: Massimo Vignelli

Reputations: Massimo Vignelli

R. Roger Remington

‘I was always seeking to affect the lives of millions of people – not through politics or entertainment but through design. I strive to raise the bar a few inches, taking the commonplace and improving it.’

Here be monsters

Adriana Eysler

The signage design for Carlsbad, New Mexico, an underground site to be sealed until the year 12,000 AD, is a genuine matter of life and death.

Remembering a graphic artist

Richard Schlagman

Alan Fletcher’s editorial design was informed by craft skills and a highly original way of thinking

Fighting AIDS with pictures and words

Sean O'Toole

South African health campaigns dominate the political landscape
Future projections

Future projections

Saki Mafundikwa

Saki Mafundikwa examines a map that confronts western prejudices
One man brand?

One man brand?

Adrian Shaughnessy

Manfred Eicher’s uncompromising artistic vision has always defined the look and feel of ECM.
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