Feature

 
An uncanny reality

An uncanny reality

David Brittain

Patrick Shanahan’s photographs, subjective, seductive and even threatening, invite us to follow him beyond unknown boarders.
 

They design themselves

Limited Language, Monika Parrinder, Colin Davies

A2’s work is based on conceptual rigour, a feel for print process and a unique flair for bespoke typefaces
 

Inclined to be dull

Martin Majoor

It may be the world’s most popular sans, but Helvetica has many deficiencies – not least its lack of real italics
 

The United Nations of Type

John L. Walters

Look beyond the confines of the Latin alphabet, urges Johannes Bergerhausen of Decodeunicode.
 

Making visible the invisible

Stuart McKee

Can designers and scientists teach each other how to express new concepts in text and image?
 

Pesky illustrator

Kenneth FitzGerald

Mark Andresen is a graphic one-man-band, with deep roots in the VouDou of pre-Katrina New Orleans
 

NASA patches

Eugene Dorr

Embroidered space travel patches, collected and appreciated by Eugene Dorr
 

The Initial Teaching Alphabet

Jeremy Hall

An idealistic experiment to help children read with an augmented, phonetically consistent alphabet
 
Charts change minds

Charts change minds

Anne-Marie Conway

Description of the slave ship Brookes 1788
 
Reputations: John McConnell

Reputations: John McConnell

John L. Walters

‘By wanting to be intelligent, it usually gets simpler and simpler. The creative process is paring back all the time. If you can’t defend it, get rid of it.That’s what turns me on. How simple can you make it? Usually, “creativity” means showing off to your peer group, and creativity without intelligence is as dumb as it comes.’
 
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