Feature
Jump cuts: Saskia Marka
‘It looks now like it was always the concept, but it was created from a necessity.’ [EXTRACT]
Jump cuts: Oliver Latta aka Extraweg
‘I want to pull the viewers out of their comfort zone and, what is most important, I want to make them feel or think something’ [EXTRACT]
Jump cuts: Matt Willey
‘Light gets turned into graphic dots – I thought this might be a nice way of capturing that feeling without being too literal or cheesy’
Jump cuts: Hiromu Oka
‘By using Risograph to actually print on paper and then digitally scan it, I was able to create an authentic warmth’
Jump cuts: Len Lye
‘Motion is not an intellectual game. There is not a moment in life that’s empty of kinetic experience’ [EXTRACT]
Reputations: Peter Knapp
‘I redesigned the Elle logotype as I thought it was too small. I wanted its letters to sit with the head of the cover model by enlarging the letter-spacing. Of all the things I’ve done, this is the one thing that was never changed.’ Interview by Serge Ricco [EXTRACT]
Time stretched further out
We made this: Punkt’s design for David Sylvian’s photobook ERR
Noise free
Tomo Tomo, the Milanese editorial design studio founded by Luca Pitoni and Davide Di Gennaro, aims for clarity and structure. By Paolo Ferrarini. Portrait by Luigi Fiano [EXTRACT]
Witness
Lucinda Rogers’ reportage drawings captured the urgent activism and human drama that surrounded Cop26, the 2021 Glasgow climate summit. By John L. Walters. Portrait by Jillian Edelstein