Feature

Credits where due

Credits where due

Anne-Marie Conway

Momoco’s TV and film titles mix animation and typography to distinctive (and award-winning) effect
Out of hand

Out of hand

David Crowley

Handwriting is a touchstone in the history of graphic design, where lettering meets the messy reality of the human body
The little journal that grew big

The little journal that grew big

Lance Knobel

How Dave Eggers’ design ethos contributed to the success of his publishing ‘empire’, McSweeney’s
Bullet point

Bullet point

Christopher Wilson

Christopher Wilson is struck by flaws in the graphic analysis of JFK’s death
South Bank show

South Bank show

Robin Kinross

The Royal Festival hall has regained the thoroughly English lettering of its origins in the Festival of Britain – on one side only

Sex machines

Mike Kippenhan

Water-slide decals from the 1960s to the 1980s

Genetics of the 'open' text

Katherine Gillieson

Children’s information books communicate their content with an energetic visual language
Mr Mistral

Mr Mistral

Sébastien Morlighem

New discoveries about Roger Excoffon’s virtuoso typefaces for Fonderie Olive prompt a fresh look at the legacy of this dynamic designer and the foundry itself.
Memory of books

Memory of books

Sonia Sánchez

An elaborate, tactile catalogue – and a digital typeface – pay tribute to a golden age of Spanish typography.

Whose space?

Noel Douglas

When the demands of Neoliberalism play havoc with our lives, it is time to fight back, and designers wield the sharpest tools
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