Review
‘Because, history’
Despite its name, Typo Berlin, founded in 1996, has never been solely dedicated to type…
The book of Michael
It is a pleasure to read a book that is honest, accessible and direct about…
Thesis & antithesis & synthesis (& EJ)
There are few high-profile ‘traditional’ graphic design studios whose members discuss their work in such…
The unsung stencil master
W. A. Dwiggins (1880-1956), the US designer best known for his typefaces Metro, Electra and…
Automonography
Abbott Miller’s book tells the story of a life in design: starting out – as…
When the camera nearly always lies
The Tate Modern’s ‘Performing for the Camera’ began with Yves Klein’s famous Leap into the…
Making sense of a complex ideal
Simplification is an ideal we think we aspire to, whether we are talking about the…
Unpicking the design process
How do things in the design world actually get done? All too often the process…
Tints and tones at the dawn of film
Legend has it that audiences for the Lumière brothers’ film The Arrival of a Train…
Riding the concrete
Arriving like a solid slab of Brutalism, Long Live Southbank is a celebration of 4…