Review

 
How the alphabet became

How the alphabet became

Lorraine Wild

The current obsession with font design has stimulated the field like nothing else in recent…
 
We’ll always have Paris

We’ll always have Paris

Petra Černe Oven

Expectations for the 66th annual ATypI conference were very high … the whole event was truly an energetic, noisy, and heartfelt affair.

 
The cryptic legacy of Paulo de Cantos

The cryptic legacy of Paulo de Cantos

Isabel Duarte

Paulo de Cantos was a teacher and an editor. Between times he created textbooks with…
 
Call and response

Call and response

Greg Bunbury

This hardback book is the catalogue for the 2022-2023 Letterform Archive exhibition of the same name…
 
Mutant letters trickle down

Mutant letters trickle down

Mark Sinclair

An iron-on flock typeface, primarily available to buy from a few shops in New York between…
 
Banquet for a dude

Banquet for a dude

Rick Poynor

The late Milton Glaser occupies a unique position at the pinnacle of Anglo-American graphic design. While…
 
The film poster as freeze-frame

The film poster as freeze-frame

John L. Walters

Moving Pictures Painted: 200 Posters from the Golden Age of Egyptian Cinema (CentreCentre, £30) lifts the…
 
Ecological literacy

Ecological literacy

John-Patrick Hartnett

The result of a decade spent ‘formulating a stronger ecological theory for design’, Joanna Boehnert’s…
 
Going off brand

Going off brand

Rick Poynor

Jason Grant and Oliver Vodeb’s uncompromising handbook of theory and action ends slyly with a…
 
Graphic friction

Graphic friction

Jeremy Leslie

This new book oozes friction. It has been produced to be enjoyed as a visual experience beyond a mere taxonomy of work.

 
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