Review

 
Concrete evidence

Concrete evidence

Jane Lamacraft

It is not unusual for the work of artists and designers to make the transition…
 

Toys are us

Tania Prill, Sebastian Cremers

Not a Toy, a boundary-busting book of art and fashion, is edited by Vassilis Zidianakis…
 

When Andy got his sticky fingers on an album . . .

Steven Heller

Andy Warhol (1928-87) is the artist who will not die. His life and work helped…
 

Architectural fallout

Catherine Slessor

In the centre of the Slovenian capital of Ljubljana is a big new office block…
 

Print’s not dead: it just smells funny

Oz Osmaston

Kristina Nickel’s ‘handbook for media designers’ comes shrink-wrapped with a glowing quote from Erik Spiekermann…
 
You can judge by the cover

You can judge by the cover

Simon Esterson

Designer Andrew Howard’s catalogue of his exhibition Gateways: An International Exhibition of Book Covers, Portugal…
 
Welcome to the nuclear terror dome

Welcome to the nuclear terror dome

Mark Sinker

A complex, compressed, highly suggestive assemblage, this exhibition deftly lays out the strange tale of…
 
What a genius

What a genius

John L. Walters

At one time, Barney Bubbles seemed like the Zelig of graphic design, the man who…
 
Sex and pulp and rock’n’roll

Sex and pulp and rock’n’roll

Steven Heller

In 1952, US Congressman Ezekiel C. Gathings singled out pocket-sized, mass-market paperbacks as being for…
 

Sailing down a mighty river of type

Chris Vermaas

Over the past five centuries the Netherlands has become an extremely densely populated country and…
 
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